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Show Choir / Vocal Jazz
Uptown Funkarr. Mark Brymer. Bruno Mars
and British producer Mark Ronson scored big
with this #1 hit that echoes James Brown,
Stevie Wonder and Earth, Wind & Fire. It has an
absolutely irresistible groove that will energize
your pop/show choir!
10500468 SATB . . . . . . . . . . . . . . . . . . 1.95
10500469 SAB. . . . . . . . . . . . . . . . . . . 1.95
10606874 Two-Part . . . . . . . . . . . . . . . 1.95
10500470 TBB . . . . . . . . . . . . . . . . . . . 1.95
10500471 P/A CD . . . . . . . . . . . . . . . 26.99
10518434E Instrumental Parts ePrint. . . 25.00
H
What a Wonderful Worldarr. Russell Robinson.
Millions know this tune from its use in the movie
"Good Morning, Vietnam," as sung by Louis
Armstrong. To celebrate the 100th anniversary of
Armstrong's birth, Russ Robinson has arranged
this wonderful song in a fitting tribute to "Satchmo"
that will provide a touching moment in your concert.
A rare choral gem!
3263829 SATB . . . . . . . . . . . . . . . . . . 2.00
3263837 SAB. . . . . . . . . . . . . . . . . . . 1.85
3263845 Two-Part . . . . . . . . . . . . . . . 2.00
3263852 P/A CD . . . . . . . . . . . . . . . 27.99
Vocal Jazz
l Ac-cent-tchu-ate the Positivearr. Joy
Hirokawa. Your singers will love developing
style and technique while performing this jazz
arrangement of the famous Harold Arlen/Johnny
Mercer song. Includes a fun, notated scat section
and authentic piano accompaniment.
10559036 Two-Part . . . . . . . . . . . . . . . 1.90
Ain't Misbehavinarr. Larry Shackley. Here's a
lazy, bluesy treatment of the title song from "Ain't
Misbehavin'," the Broadway show that celebrates
the immortal music of the great Thomas "Fats"
Waller. This is one of the all-time great jazz-
show tunes, in a very tasty arrangement!
Highly recommended!
10042040 SATB . . . . . . . . . . . . . . . . . . 1.90
10042041 SAB. . . . . . . . . . . . . . . . . . . 1.90
10042042 SSA . . . . . . . . . . . . . . . . . . . 1.85
10042043 P/A CD . . . . . . . . . . . . . . . 27.99
10042044 Instrumental Parts . . . . . . . 30.00
All the Pretty Little Horsesarr. Andy Beck.
This innovative arrangement presents the well-
known American folk song with a jazz-waltz feel.
Unexpected, but highly creative, it's something truly
different for concert or jazz groups.
10355941 SATB . . . . . . . . . . . . . . . . . . 1.85
10355942 SAB. . . . . . . . . . . . . . . . . . . 1.85
10355943 SSA . . . . . . . . . . . . . . . . . . . 1.85
10355944 Two-Part . . . . . . . . . . . . . . . 1.85
10355945 P/A CD . . . . . . . . . . . . . . . 27.99
All the Things You AreJerome Kern & Oscar
Hammerstein II/arr. Mark Hayes. Hammerstein
and Kern's popular hit is presented with a light
and jazzy Latin feel, complete with optional
instrumental parts or rhythmic accompaniment
track. Smooth vocal lines sit above the exciting
samba-like accompnaiment. Accessible to all levels
and gorgeous for many voicings.
10453524 SATB . . . . . . . . . . . . . . . . . . 2.50
10453528 SAB. . . . . . . . . . . . . . . . . . . 2.50
10453531 SSA . . . . . . . . . . . . . . . . . . . 2.50
10453532 TTBB . . . . . . . . . . . . . . . . . . 2.50
10453534 P/A CD . . . . . . . . . . . . . . . 26.99
10453536 Instrumental Parts . . . . . . . 15.00
lt All the Things You Arearr. Kirby Shaw. The
beautiful simplicity of this classic melody is further
enhanced by lush chord changes and tasteful
phrasing. A lush setting of a great standard that
your women's ensemble will enjoy singing!
10605428 SSAA. . . . . . . . . . . . . . . . . . 1.95
t
Almost Like Being in LoveAlan J. Lerner &
Frederick Loewe/arr. Darmon Meader. This Lerner
and Loewe hit from "Brigadoon" works beautifully
for a cappella voices in this swingin' setting by
Darmon Meader of New York Voices fame. Opening
with the verse at rubato tempo, it soon takes off
with a bright, happy feel. Some ensemble scat
singing puts the finishing touch on this awesome
arrangement. Highly recommended!
10510722 SATB . . . . . . . . . . . . . . . . . . 2.50
l Alone TogetherArthur Schwartz & Howard
Dietz/arr. Greg Jasperse. Originally written for the
1932 musical "Flying Colors," this jazz standard
has been recorded by a "who's who" of jazz icons,
including Dizzy Gillespie, Miles Davis, Julie London,
and Ella Fitzgerald. This arrangement is hauntingly
beautiful for vocal jazz groups!
10604263 SATB . . . . . . . . . . . . . . . . . . 2.10
t America, The Beautifularr. Darmon Meader.
Our beloved patriotic hymn could not be more
beautiful than in this incomparable setting. With a
minimum of divisi and some exquisite solo spots,
this is singable by virtually any SATB choir. Of the
many arrangements of this hymn available, this is
in a class by itself. Highly recommended!
10011608 SATB . . . . . . . . . . . . . . . . . . 2.25
VOCAL JAZZ for
YOUNG VOICES
More and more young choirs have been getting
into singing vocal jazz, so here's a convenient list of new
and best-selling vocal jazz charts for young voices!
l Ac-cent-tchu-ate the Positive—arr. Joy Hirokawa.
Your singers will love developing style and technique while
performing this jazz arrangement of the famous Harold
Arlen/Johnny Mercer song. Includes a fun, notated scat
section and authentic piano accompaniment.
10559036 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.90
10559036E Two-Part ePrint. . . . . . . . . . . . . . . . . . .1.90
All the Pretty Little Horses—arr. Andy Beck.
This innovative arrangement presents the well-known
American folk song with a jazz-waltz feel. Unexpected, but
highly creative, it's something truly different for concert or
jazz groups.
10355944 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.85
10355944E Two-Part ePrint. . . . . . . . . . . . . . . . . . .2.95
10355945 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .27.99
Blue Skies—Irving Berlin/arr. Emerson.
Irving Berlin's quintessential song is a classic of swing
style, and this straightforward, singable arrangement
brings Berlin's standard to vocal jazz and show choirs of
any level. The swing groove is established in the beginning
with choral voices accompanied by finger snaps and bass
guitar. Later in the arrangement, written-out scat solos will
encourage younger singers to try this vocal jazz technique.
3276870 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.70
3276888 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .22.95
4
Don't You Worry 'Bout a Thing—
arr. Roger Emerson.
This Discovery series edition
of Stevie Wonder's 1973 song packs all the joyful Latin
energy you would want into an accessible arrangement
that is super cool and fun to sing. Great for building
skills and style, the voice-leading is well crafted for your
beginning and developing jazz/pop groups.
10567900 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.95
10567901 Teaching P/A CD . . . . . . . . . . . . . . . .26.99
It Don't Mean a Thing (If It Ain't Got That
Swing)—Duke Ellington/arr. Emerson.
If your young
vocal jazz group is ready to experience the great music
of Duke Ellington, turn them loose on this arrangement.
There are only eight bars of unison ensemble scat singing,
and only four repeated bars of vocal harmony, so the
essential syncopated figures should be easy for your
students to learn.
3302389 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.95
3302390 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.99
Jazz Talkin'—Russell Robinson. This fun vocal-jazz
piece "talks" about the stylistic jazz vocal idiom. Based on
the twelve-bar blues form, it offers variety and flexibility
to sing call-and-response and written-out scat solos, all
supported by a solid piano accompaniment which may
be played as written or ad lib with chord symbols. "Jazz
talkin', jazz talkin', doo ba doo bop!"
10582866 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .2.25
Linus and Lucy—Vince Guaraldi/
arr. Roger Emerson.
From the opening strains, everyone
will recognize Vince Guaraldi's jazzy theme as featured
in the popular animated Peanuts television specials. This
well-crafted accompanied arrangement includes "scat"
lyrics above the familiar piano groove. This is essential
programming during the holidays or any other time of year!
Highly recommended!
10455746 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .2.25
10455746E Two-Part ePrint. . . . . . . . . . . . . . . . . . .2.25
10455747 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.99
The Pink Panther—Henry Mancini/
arr. Jay Althouse.
This is phenomenal! Everyone knows
the catchy "Pink Panther" theme as an instrumental,
but... for choir? Of course! Scat syllables do the trick! The
familiar opening riff becomes "Ba dop ba da, ba dop ba
da" with finger snaps. Then the voices imitate the horns
and become a roaring choral big band! The piano part
provides solid support throughout this awesome chart!
Highly recommended!
10047572 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.90
10047573 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .27.99
10047574 Instrumental Parts . . . . . . . . . . . . . . .25.00
Route 66—Bobby Troup/arr. Emerson.
With a laid-back swing feel and some simple ensemble
scat singing, this is ideal for beginning vocal jazz groups
in middle schools. The helpful performance notes on the
opening page will give your students the basics of the style
as they learn to sing this classic jazz tune. A great way to
get started singing vocal jazz!
3301048 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.95
3301049 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.99
So Danco Samba (Jazz 'n' Samba)—
Antonio Carlos Jobim/arr. Roger Emerson.
Here is the perfect way to introduce your young singers
to the Brazilian jazz samba, or bossa nova. Just enough
repetition, some simple scat singing, and English subtext
are a recipe for success. There's even a jazz tenor sax on
the recorded accompaniment track, a tip of the hat to the
great Stan Getz, who started the bossa nova craze in the
US back in 1964. This is a great teaching piece, too, with
a full page of performance notes, including translation and
pronunciation guide.
10499848 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.95
10499848E Two-Part ePrint. . . . . . . . . . . . . . . . . . .1.95
10499849 Teaching P/A CD . . . . . . . . . . . . . . . .26.99
Sweet Home Chicago—Robert Johnson/
arr. Roger Emerson.
Introduce your young singers to
the blues with this Robert Johnson classic from 1937,
memorably covered by The Blues Brothers. With a
shuffle-style rhythmic feel, vocal fall-offs and accessible
jazz harmonies, this is a great arrangement, perfect for
developing vocal jazz groups!
10495831 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.95
10495831E Two-Part ePrint. . . . . . . . . . . . . . . . . . .1.95
10495832 Teaching P/A CD . . . . . . . . . . . . . . . .26.99
Swingin' with the Saints—arr. Mark Hayes.
Swing Low, Sweet Chariot and When The Saints Go
Marching In really belong together in this dynamic, soulful
setting, which contrasts the two classic spirituals in such
an exciting way that your choir won't want it to end!
3701799 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .2.50
1657907 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.99
1416189 Instrumental Parts . . . . . . . . . . . . . . .30.00
'Tain't What You Do (It's the Way That You Do It)
—arr. Rosana Eckert.
Here is a song written in the big-
band era, first recorded by jazz vocalist Ella Fitzgerald in
1939 and ideal for introducing beginning and developing
groups to swing style. In the Discovery Series, it's perfect
for building jazz diction and rhythmic skills.
10592329 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.95
10592330 Teaching P/A CD . . . . . . . . . . . . . . . .26.99
