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4 Because I Said So—Paul Clark. There are lots of
swing charts based on blues changes, but this one
is in a class of its own! Because I Said So features
an attention-grabbing intro, unison ensemble
melodies, sectional trades, and an optional open
solo section with suggested solos included, all the
while swinging along at 160 bpm. After the solos
there's a soft interlude featuring your bass player
with tasty, written solo licks, then an even quieter
ensemble section leading to a shout chorus that
really shouts! Interesting, fun and playable, this
one is very highly recommended!
10607068 Jazz Ensemble . . . . . . . . . . . . . 48.00
The Big Band Theory—Larry Neeck. This bright
swinger kicks right from the start at around 180
bpm! Based on a blues form, this chart is very
melodic and simply cooks in an uncomplicated
fashion, with tasty unison riffs balancing the
powerfully scored ensemble sections. The open
solo section with great background figures, along
with the included suggested solos, provides
an opportunity for individual band members to
shine. Additional highlights included a nice shout
chorus and a section after the shout that begins
softly and builds to the end. It's also playable with
optional reduced instrumentation. Here's a great
chart for opening a program or for any occasion!
Highly recommended!
10518277 Jazz Ensemble . . . . . . . . . . . . . 48.00
Big Swing Face—Bill Potts/arr. Rich Sigler.
This chart, originally popularized by Buddy Rich,
has been scored at an accessible level while
maintaining the essence of the original and
more. The tempo is around 154 bpm, there are
written solos for tenor and trumpet 2, as well as
nice dynamics to show off your jazz band, plus
optional parts for expanded instrumentations. A
fun chart that you'll play for years to come!
10452096 Jazz Ensemble . . . . . . . . . . . . . 48.00
4 Buckjump—Andrews & Ballard/arr. John Wasson.
Recorded by Trombone Shorty on his 2011 album
For True and featuring the Rebirth Brass Band and
5th Ward Weebie, this hot tune has a funky New
Orleans style groove with a moderate tempo and
catchy riffs. The trombones get the spotlight to
start with, followed by tight ensemble playing and
later space for an improvised or written trombone
solo. This chart is cool, confident and colorful!
Highly recommended!
10556780 Jazz Ensemble . . . . . . . . . . . . . 45.00
Don't Get Around Much Anymore—Ellington
& Russell/arr. Mark Taylor. One of the classic
trademark tunes from the Duke Ellington library,
this familiar jazz standard is solidly scored for
younger players by Mark Taylor. When it comes
to accessible charts in a medium swing style, this
one can't be beat! Highly recommended!
10427404 Jazz Ensemble . . . . . . . . . . . . . 45.00
H Fancy Pants—Sammy Nestico. Don't miss
this great funky blues chart! It's got a laid back
groove that really grabs you! Originally written
for Count Basie, it's the kind of chart that will
make your band sound great. Written out rhythm
section parts are really nice, and the horn parts...
hey, this is just great writing. Everything sits right
in the pocket!
2314862 Jazz Ensemble . . . . . . . . . . . . . 48.00
Flight of the Foo Birds—Neal Hefti/arr. Peter
Blair. This Peter Blair chart on the Neal Hefti/
Count Basie classic is a wonderful adaptation for
younger jazz groups. It does its Basie thing with a
light and cool swing feel, includes nice changes in
texture, has brief written or ad lib solos for alto sax
and trumpet 2, and an outstanding shout chorus
with drum fills. Played at 156 bpm, the trumpet
1 range is up to written G on top of the staff,
and optional parts are included for expanded
instrumentations. Great tune, great chart!
10513893 Jazz Ensemble . . . . . . . . . . . . . 48.00
25
Blues & Swing
CLASSIC & COLORFUL
NEW POP CHARTS
Your audiences will sit
up and take notice when
you perform an instantly
recognizable pop chart!
The Bare Necessities (from The Jungle Book)—arr. Paul Murtha. Ever since
The Bare Necessities was first introduced in the classic movie "The Jungle Book," this catchy
tune has remained a familiar favorite. Featured again in the 2016 movie, here is an easy
arrangement that will make young jazz bands sound terrific. Parents, players and audiences
will be will enjoy this swinging favorite designed especially for young jazz musicians!
Playable with optional reduced or expanded instrumentations.
10617926 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Cissy Strut—arr. Rick Stitzel. Originally recorded by The Meters in 1969, Cissy Strut
has since become a model for playing funk as recorded by both jazz and rock artists. The
signature bass line is played by trombones, tenors and baritone sax, and the entire band joins
in with catchy riffs. There are short solo breaks for the bass and drums, along with solo or soli
spots for saxes and trumpets. The solos are suggested or improvised, or played as written
by the individual sections. Playable with optional reduced or expanded instrumentations, this
chart on Cissy Strut will become one of your new favorites!
10625171 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Hello—arr. Rick Stitzel. Adele's megahit ballad adapts nicely for young players in
this well-paced arrangement by Rick Stitzel. A solo alto sax starts things out, then the
melody is passed to the trombones, and then the full band settles into a beautiful rock
ballad. This blockbuster hit is very effective and provides a beautiful change of pace for any
performance by aspiring jazz musicians. It's also playable with optional reduced or expanded
instrumentations and is highly recommended!
10617912 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 40.00
Humanism—Jonathan Batiste/arr. Paul Murtha. Recorded by jazz artist Jon Batiste
and his group Stay Human as the theme song for The Late Show with Stephen Colbert, this
energetic tune features an appealing jazz/rock flare. The saxes take the lead in the beginning
supported by funky riffs from the entire ensemble. Solos are available for any combination
of alto sax, trumpet, or trombone. Suggested solos and chord/scale sheets in all keys are
included. A step above the rest!
10556778 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
Learn to Fly—arr. John Berry. This rocker recorded by the Foo Fighters has remained
a favorite ever since its release in 1999. John Berry expertly trades the melody around from
section to section in this great-sounding chart for young players that requires no solos. Also,
it's playable with optional reduced or expanded instrumentations.
10617920 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 40.00
Living for the City—Stevie Wonder/arr. John Wasson. From Stevie Wonder's
acclaimed and highly influential "Innervisions" album, Living for the City features a slow, bluesy,
funky groove and memorable melodic lines. Adapted beautifully for jazz ensemble, this chart
provides feature space for the trombone section along with powerful phrases for the entire
ensemble. A suggested or ad lib solo is included for tenor sax. This is a hot must-have that is
highly recommended!
10617910 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
Shakey Ground—arr. Paul Murtha. This 1975 tune by the Temptations is one of their
later hits and is described as "funkadelic" in style. This chart features the infectious bass line
first stated by baritone sax and guitar, and later joined by the rest of the ensemble playing the
funky riffs. The solo section on a one-chord vamp can easily be opened up, but samples are
provided for alto sax, trumpet and trombone. You will love the way the ensemble layers in near
the ending. Shakey Ground is definitely a fun chart with attitude!
10617906 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
Shut Up and Dance—arr. John Berry. Recorded by the American alternative rock band
Walk the Moon, this contemporary rock hit features a driving pulse and catchy melodic lines.
With the melody traded between the saxes and trumpets, this accessible chart also features
plenty of solid, full-ensemble scoring. No solos are required, and a full band statement rounds
out this infectious and instantly recognizable song. Playable with optional expanded or
reduced instrumentations, this one will make a big splash with audiences and students!
Highly recommended!
10556784 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 40.00
