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SACRED All Voicings medium-easy
H How Can I Keep from Singing?—arr. Gwyneth
Walker. This is an old Quaker hymn dating back to
the 1800s in the United States. References to the
persecution of Friends may be heard in the lyrics,
yet faith and courage prevail. This arrangement
emphasizes the celebratory and life-affirming
aspects of the song.
3062221 SATB . . . . . . . . . . . . . . . . . . 2.80
10355556 Full Score Brass SATB . . . . 11.55
10355557 Full Score Chamber
Orchestra SATB . . . . . . . . . 19.90
3270741 SSAA. . . . . . . . . . . . . . . . . . 2.80
10355558 Full Score Brass SSAA . . . . 11.55
10355559 Full Score Chamber
Orchestra SSAA . . . . . . . . . 19.45
10036808 TTBB . . . . . . . . . . . . . . . . . . 2.60
10291339 Full Score Brass Quintet
for TTBB . . . . . . . . . . . . . . 11.55
10291338 Brass Quintet
& Percussion . . . . . . . . . . . 16.80
10355560 Orchestration For
All Voicings . . . . . . . . . . . . 73.45
H How Can I Keep from Singing? (A Gospel
Setting)—Greg Gilpin. Greg has taken the
traditional Quaker text and positively supercharged
it with his own gospel-styled music in this
marvelous new look at a timeless American poem.
This one has it all - a wide-open solo for your best
gospel singer, an accompaniment that's fine as
is, or can be embellished at will by your pianist,
and hand claps from the very first measure
that'll quickly spread through your audience or
congregation. Highly recommended!
10352316 SATB . . . . . . . . . . . . . . . . . . 2.25
3298161 Three-Part Mixed . . . . . . . . . 1.95
10352293 Two-Part . . . . . . . . . . . . . . . 2.25
10192345 SSA . . . . . . . . . . . . . . . . . . . 2.25
lL A Hymn for Peace—Alistair Coleman. This work
t
is set to the text O God of Love, O King of Peace by
English poet Henry Williams Baker. In this setting,
the timeless text is painted using rich harmonies
and a prayerful melody which is distributed among
the different voice parts. A soaring soprano descant
is added towards the climax, driving it toward a
satisfying resolution. This versatile work is perfect
for concerts by school and church choirs during any
liturgical season.
10804788 SSATB . . . . . . . . . . . . . . . . . 2.35
10804788L SSATB Large Print . . . . . . . . 2.35
HL I Believe—Mark Miller. A new SSA edition of Mark
Miller's bestselling anthem, I Believe. The sentiment
of this anonymous text, "I believe in the sun, even
when it's not shining," is a bold statement of
trust and is applicable in any sacred or secular
setting. This anthem truly represents the best of
Mark Miller's choral writing and will be sung by
generations to come.a
10335690 SATB . . . . . . . . . . . . . . . . . . 2.35
10335690L SATB Large Print . . . . . . . . . 2.35
10757190 SSA . . . . . . . . . . . . . . . . . . . 2.25
10757190L SSA Large Print . . . . . . . . . . 2.25
10907411 Instrumental Parts
String Quintet & Harp . . . . . 49.95
10907412 Orchestration . . . . . . . . . . 149.95
I Believe in the Sun (Ich glaube an die Sonne)
—Thomas Juneau. This poem was discovered in a
dark cellar in Cologne, Germany where thousands
of Jews hid from persecution from the Nazis. "I
believe in the sun even when it is not shining...
I believe in God, even when He is silent." This
plaintive setting is in both German and English, and
may be performed in either or a combination of both
languages. Moving!
10685434 Two-Part or SA. . . . . . . . . . . 2.10
H I Know that My Redeemer Lives—arr. Dan
Forrest. Your more experienced choral group will
love to sink their teeth into this driving, sturdy
rendition of Antioch, from the Sacred Harp
collection. Dan Forrest presents this arrangement
with a nod to the Sacred Harp singing style -
rugged and confident vocals sung with style and
weight - and a four-hand piano accompaniment
that enlivens the presentation. A rousing statement
of faith for the sanctuary or concert stage!
10188414 SATB . . . . . . . . . . . . . . . . . . 2.25
10424944 SSAA. . . . . . . . . . . . . . . . . . 2.25
10424945 TTBB . . . . . . . . . . . . . . . . . . 2.25
l
I Will Lift My Eyes—Jonny Priano. "I Will lift my
eyes to the mountains; from where comes my
help?" These words from Psalm 121 have inspired
countless composers over the ages. Here, they are
beautifully set for treble or tenor-bass voices with
soaring melodies, modern harmonies and cluster
cadences that create a beautiful texture for teaching
tone, phrasing and musicality. Simply beautiful!
10881503 SSA . . . . . . . . . . . . . . . . . . . 2.10
10881505 TBB . . . . . . . . . . . . . . . . . . . 2.25
H I Will Sing with the Spirit—John Rutter. This
well-known anthem by John Rutter is a beautiful
setting of 1st Corinthians 14. The accompaniment
can be played by organ or chamber orchestra,
which includes double winds and french horns and
strings. An excellent addition to the repertoire.
1922673 SATB . . . . . . . . . . . . . . . . . . 2.70
1922681 SA . . . . . . . . . . . . . . . . . . . . 2.30
10291352 Instrumental Parts . . . . . . . 50.00
8070458 CD-Be Thou My Vision . . . . 11.99
4L Illumina—Patrick Hawes. "Give light to my eyes,
t lest I sleep unto death." This simple, yet profound,
text has been translated into Latin and given an
exquisite a cappella setting by celebrated English
composer Patrick Hawes. There is significant divisi
in each part, but the simple quarter note texture and
pleasing harmonies make it easy to sing while still
sounding significant. Gorgeous modern harmonies
are highlighted by cluster chords and extended
phrases to create a memorable choral experience.
10850201 SATB . . . . . . . . . . . . . . . . . . 2.60
10850201L SATB Large Print . . . . . . . . . 3.60
H
Inscription of Hope—Z. Randall Stroope.
A profoundly moving text, written on a cellar wall
during the rise of Nazi Germany, joins with original
music to create a deeply emotional expression of
hope for all mankind. With brief narration and the
echo of a Russian folk melody, this is an important
contribution to the concert repertoire for more
discerning choirs!
1910504 SATB . . . . . . . . . . . . . . . . . . 2.10
3073038 Three-Part Mixed . . . . . . . . . 2.10
1910512 Two-Part . . . . . . . . . . . . . . . 2.10
10307417 SSA . . . . . . . . . . . . . . . . . . . 2.10
10307418 TTB . . . . . . . . . . . . . . . . . . . 2.10
10006345 P/A CD . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts . . . . . . . 29.95
Jazz Kyrie—Andy Beck. Here's a quintessential
bossa nova on just three Latin words from the
Kyrie mass text. Bossa nova is a musical genre
that began in Brazil in the 1950s that consists of
the combination of samba rhythms, jazz sonorities,
and lyrical melodies to create a new, sophisticated
style. Optional flute and/or vibraphone (available
free online) adds another smooth layer to this hip
contemporary choral that offers a traditional sacred
text in a fresh, surprising setting.
10738849 SATB . . . . . . . . . . . . . . . . . . 1.90
10738850 SAB. . . . . . . . . . . . . . . . . . . 1.90
10738851 Two-Part . . . . . . . . . . . . . . . 1.90
10751965 P/A CD . . . . . . . . . . . . . . . 27.99
t Jesus Christ the Apple Tree—Elizabeth Poston.
This is a delightful selection that uses wonderful
text imagery and metaphoric language. Consistent
seller since 1967.
5283163 SATB . . . . . . . . . . . . . . . . . . 2.00
HL Joy in the Morning—Natalie Sleeth. This Natalie
Sleeth work continues to enthrall listeners more
than 25 years after it was written! Many choirs
across the nation have experienced the feeling
of "Joy, Joy, Joy" that is generated by this
outstanding selection. With multiple voicings,
organ and brass accompaniments, 3/5 octave
handbells, P/A CD, or a full orchestration your
presentation may be catered to the size of your
choir or particular event. Colossal!
1231174 SATB . . . . . . . . . . . . . . . . . . 2.25
1231174L SATB Large Print . . . . . . . . . 2.25
8056714 SAB. . . . . . . . . . . . . . . . . . . 2.25
8056714L SAB Large Print . . . . . . . . . . 2.25
8056715 P/A CD . . . . . . . . . . . . . . . 29.95
3112745 Handbells 3/5 Octave . . . . . . 5.25
5318449 Instrumental Parts
Brass Quartet. . . . . . . . . . . 26.95
8056716 Orchestration . . . . . . . . . . . 69.95
L
Jubilant Song—Allen Pote. Available with a
variety of accompaniment options, this song of
jubilation is fun to perform! The choir parts are
easy and give each section a chance to be heard,
while the text is an outpouring of adoration. Your
congregation will love this joyful song of praise!
1531979 SATB . . . . . . . . . . . . . . . . . . 2.25
1531979L SATB Large Print . . . . . . . . . 2.25
1534353 Instrumental Parts Brass . . . 26.95
1534361 Handbell Part 18 Bells
(G4-D7) . . . . . . . . . . . . . . . . 4.00
4L A Jubilant Song—Victor C. Johnson. An
exhilarating original for developing choirs featuring
energized syncopation, strong melodic lines and
a dynamic accompaniment! Familiar Latin text is
utilized in the opening and closing sections, while
an expressive English text is featured in the middle
for a lyrical and stylistic contrast. A perfect concert
or festival selection that gives the opportunity to
teach pure vowels and tone for younger choirs in
a piece that is fun to sing and sure to impress!
10906106 Three-Part Mixed . . . . . . . . . 2.25
10906106L Three-Part Mixed
Large Print . . . . . . . . . . . . . . 2.25
10906107 Two-Part . . . . . . . . . . . . . . . 2.25
10906107L Two-Part Large Print . . . . . . 2.25
10906108 P/A CD . . . . . . . . . . . . . . . 27.95
4L Jubilate, Amen—William Boyce/arr. Douglas E.
Wagner. This easy adaptation of a familiar William
Boyce canon is complete with easy-to-sing melodic
lines, comfortable ranges, and a supportive and
interesting piano part. A perfect introduction to
singing independent vocal lines and a natural for
teaching with solfege, this gem will bring out a
mature sound in any size ensemble.
10843370 Three-Part Mixed . . . . . . . . . . 1.95
10843370L Three-Part Mixed Large Print. . 1.95
10882905 P/A CD-Three Part Mixed
Ap Pack . . . . . . . . . . . . . . . . 44.95
l Jubilate Deo—Derrick Fox. This new and
rhythmic setting of the traditional Latin text is
perfect for teaching about minor keys as well as a
great opportunity to strengthen your choir's ability
to sing independently of the piano. While there is
some independence within the voice parts, the
interplay and the larger sections where the choir
is moving together makes it very accessible for all
choirs.The eight word Latin text allows you to teach
unification of vowels and the pure vowel sound
required of Latin.
10880984 SATB . . . . . . . . . . . . . . . . . . 2.25
t Jubilate Deo—Jay Althouse. This outstanding
work truly celebrates life through song. From a
captivating a cappella opening to a driving finale,
this piece will let your singers sound their very best.
The keyboard accompaniment supports the vocal
lines with exciting rhythmic contrasts. The mixed
Latin and English text creates a unique concert
selection that is perfect for any concert program.
1671627 SATB . . . . . . . . . . . . . . . . . . 2.50
1730746 SAB. . . . . . . . . . . . . . . . . . . 2.50
1730753 Two-Part . . . . . . . . . . . . . . . 2.50
H Jubilate Deo—Michael Praetorius/arr. Doreen
Rao. Arranged as a canon for two, three or four
parts, this Doreen Rao arrangement of this Michael
Praetorius work uses only the words "Jubilate Deo.
Alleluia!" A marvelous teaching piece!
1631001 Unison/Two-Part . . . . . . . . . 2.15
Jubilate Deo!—Vicki Tucker Courtney. With
alternating sections of Latin and English text, this
fresh setting of Psalm 100 is filled with rhythmic
energy and joy. A beautiful lyrical section in the
middle contrasts with the upbeat opening and
closing sections. Fantastic voice leading and choral
harmonization make this piece a winner for your
next concert.
10871906 Three-Part Mixed . . . . . . . . . 2.25
10735249 SSA . . . . . . . . . . . . . . . . . . . 2.25
Kyrie—Michael John Trotta. Here is a lovely
introduction to the ancient Latin text for developing
choirs. The optional flute part adds much to the
simple beauty of this endearing original. Lyrical
phrases and Latin vowels present the opportunity to
teach tone, blend and musicality. Flexible voicings
make this a great option for concert, festival or
worship settings.
10871909 Three-Part Mixed . . . . . . . . . 1.95
10509958 Unison/Two-Part . . . . . . . . . 1.95
L Lacrimosa—W.A. Mozart/ed. Cameron LaBarr.
Mozart's Requiem in D minor is one of the most
well-loved choral-orchestral works from the entire
Classical canon. From the Requiem comes the
Lacrimosa, originally scored for choir and orchestra.
This edition provides a clean score for the choir
and keyboard with a few small editorial markings,
mainly to match the style of the time period.
10636757 SATB . . . . . . . . . . . . . . . . . . 2.60
10636757L SATB Large Print . . . . . . . . . 3.30
Lacrimosa Menuet—Christi Jones. This choral
adaptation of J.S. Bach's "Suite No. 3 in B minor" is
brief - only 36 measures long - but it is a showcase
for two-part choirs. Your ensemble will sound
sophisticated and elegant when performing this at
any concert or festival, even at the high school level.
Pronunciation guide and translation are provided for
the Latin text.
10871901 SA . . . . . . . . . . . . . . . . . . . . 1.95
10585390 TB . . . . . . . . . . . . . . . . . . . . 1.95
Laudamus Te (from "Gloria")—Antonio Vivaldi/
arr. Mayo. Based on the famous duet from Vivaldi's
"Gloria," this work will be lots of fun to learn and
even more fun to perform. It's lively and quick, with
a lofty Baroque feel, and full of joy!
10006226 Two-Part . . . . . . . . . . . . . . . 1.95
4t Laudamus!—Ken Berg. A simple, traditional Latin
text receives a unique setting with syncopation,
percussion and multi-cultural flair. A cappella, with
sections of staccato rhythmic singing contrasted
with lyrical passages that create an overall effect
of joyful celebration. An excellent teaching piece for
developing treble choirs with high performance value.
10833229 Three-Part Treble or SSA . . . 2.25
BEST
SELLERS
Sacred Concert
SAB/Three-Part Mixed
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
How Can I Keep from Singing?
(A Gospel Setting)—Greg Gilpin.
3298161 Three-Part Mixed . . . . . . . . . . .1.95
Inscription of Hope—Z. Randall Stroope.
3073038 Three-Part Mixed . . . . . . . . . . .2.10
10006345 P/A CD. . . . . . . . . . . . . . . . . . .26.95
10011541 Instrumental Parts . . . . . . . . . .29.95
Ubi Caritas—Victor C. Johnson.
10512921 Three-Part Mixed . . . . . . . . . . .2.25
10512923 P/A CD. . . . . . . . . . . . . . . . . . .27.95
Festival Sanctus—John Leavitt.
10047611 SAB . . . . . . . . . . . . . . . . . . . . . .1.85
10047615 P/A CD. . . . . . . . . . . . . . . . . . .27.99
10047616 Instrumental Parts . . . . . . . . . .40.00
Dominus Vobiscum—Jacob Narverud.
10735148 SAB . . . . . . . . . . . . . . . . . . . . . .1.95
