4Editors' Choice (Best of 2018 Publications) lNew for 2018 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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SACRED All Voicings medium-easy
4L Dona Nobis Pacem (from "Missa Brevis,"
K.49)—W.A. Mozart/arr. Patrick M. Liebergen.
This well-written arrangement is a wonderful festival
piece for middle school choirs. A nice introduction
to singing in Latin, the easy-to-teach piece includes
a pronunciation guide and translation for the title
phrase, which is repeated throughout the work.
Well done!
10881701 Three-Part Mixed . . . . . . . . . . 2.05
10881701L Three-Part Mixed Large Print. . 2.05
10881702 SSA . . . . . . . . . . . . . . . . . . . . 2.05
10881702L SSA Large Print . . . . . . . . . . . 2.05
10881851 Multi-Song Accomp. CD . . . . 44.99
Dona Nobis Pacem (from "Missa in C")—W.A.
Mozart/arr. Patrick M. Liebergen. From the "Credo
Mass," K. 257, this achievable setting of the
masterwork in Viennese Classical style presents
the option of featuring a vocal quartet on selected
passages. Only one Latin phrase and welcome
repetition minimize rehearsal time and allow
musicianship to be the focus.
10514822 SATB . . . . . . . . . . . . . . . . . . 2.00
10515003 Multi-Song Accomp. CD . . . 44.99
Et in Terra Pax—Victor C. Johnson. This heartfelt
and poignant setting of the traditional Latin text
"And on earth, peace" features soaring melodies
and rich harmonies. The middle section further
develops the text with borrowed tonality for added
color and harmonic interest before a resolution to
the opening melody once again. Equally appropriate
for school concerts or a worship setting; any time
of the year is a fitting time to present this message.
A helpful pronunciation guide and translation is
included for the Latin text.
10757115 SATB . . . . . . . . . . . . . . . . . . 2.10
10757117 Three-Part Mixed . . . . . . . . . 2.10
10757118 Two-Part . . . . . . . . . . . . . . . 2.10
10757120 SSA . . . . . . . . . . . . . . . . . . . 2.10
10844090 P/A CD . . . . . . . . . . . . . . . 27.95
Et in Terra Pax—Mary Lynn Lightfoot. In this
expressive setting of a traditional Latin text, sweeping
melodic lines and rich harmonies lead to an ending
of quiet splendor. Mary Lynn composes some of the
best music available for school choirs, and this is a
prime example of her work. Highly recommended!
10443055 SATB . . . . . . . . . . . . . . . . . . 2.10
10006358 Three-Part Mixed . . . . . . . . . 2.10
10047261 SSA . . . . . . . . . . . . . . . . . . . 2.10
10006360 Two-Part . . . . . . . . . . . . . . . 1.95
10047262 TTB . . . . . . . . . . . . . . . . . . . 2.10
10047799 P/A CD . . . . . . . . . . . . . . . 26.95
4L Everybody's Got a Place in the Choir—Greg
Gilpin. Grab your neighbor and join the choir,
because there's a place for everyone in this
energetic selection for young choirs. A memorable
melody becomes a spirited two-part echo song with
a swingin' accompaniment. This piece is a great
way to celebrate community and our shared identity
as the children of God.
10810892 Two-Part . . . . . . . . . . . . . . . 2.25
10810892L Two-Part Large Print . . . . . . 2.25
4 Exultate! Gloria!—Cristi Cary Miller. Young
singers will love the style of this contemporary
festival piece with a school-friendly Latin text.
Directors will love how easy it is to teach as well
as the inherent musical value of unified vowel
formation and vocal precision. A fabulous choice
for an opening number for concert or festival!
10834865 Three-Part Mixed . . . . . . . . . 2.25
10834866 Two-Part . . . . . . . . . . . . . . . 2.10
10908953 P/A CD . . . . . . . . . . . . . . . 22.99
4 Exultate Justi—Dan Davison. Utilizing a classical
style of composition, this new piece just might
transport you back to the time of Mozart! Full of
educational opportunities, the musical style and
interpretation is authentic sounding, and the Latin
text, generous doubling, and well-supported choral
parts make this a terrific concert or festival choice
for developing mixed choirs. The optional tenor line
is notated fully in the score, but it is always doubling
one of the other voice parts for added accessibility
and flexibility.
10871931 SATB SA(T)B . . . . . . . . . . . . 2.25
H
Festival Sanctus—John Leavitt. A long-time
favorite on the festival circuit, this dynamic,
exciting, joyous selection surpasses the
ordinary! Syncopated rhythms and changing
meters, combined with a sizzling piano part,
make this a uniquely rewarding work. Very
accessible for school and church choirs, it is a
first-rate choice for any performance situation!
Highly recommended!
1699032 SATB . . . . . . . . . . . . . . . . . . 1.90
10047611 SAB. . . . . . . . . . . . . . . . . . . 1.85
1959857 Two-Part . . . . . . . . . . . . . . . 1.85
10047612 SSA . . . . . . . . . . . . . . . . . . . 1.85
10047613 TTB . . . . . . . . . . . . . . . . . . . 2.25
10047615 P/A CD . . . . . . . . . . . . . . . 27.99
10047616 Instrumental Parts . . . . . . . 40.00
H
A Festive Alleluia—Mary Lynn Lightfoot.
Captivating syncopations, mixed meters and
rhythmic vitality spark this refreshing work.
This joyous piece in a minor mode incorporates
traditional Latin and English texts and just overflows
with an infectious energy. Vocal lines are sensibly
conceived, mixed meters are very logical, and
there's an optional bass part in the three-part
mixed edition. This is quality literature for choirs of
all ages.
3190782 Three-Part Mixed or SATB. . . 1.95
3192531 SSA . . . . . . . . . . . . . . . . . . . 1.95
3192549 Two-Part . . . . . . . . . . . . . . . 1.95
10366594 TB . . . . . . . . . . . . . . . . . . . . 2.10
10366595 P/A CD . . . . . . . . . . . . . . . 26.95
H
Fly Away Medley—arr. Mark Hayes. A real
gospel tapestry! The arranging genius of Mark
Hayes shines in this stellar medley of gospel
favorites, including Albert Brumley's I'll Fly Away,
recently featured in the movie "O Brother, Where
Art Thou?," We'll Understand It Better By and By;
When the Roll Is Called Up Yonder; On Jordan's
Stormy Banks and When the Saints Go Marching
In. Arranged in a "down-home" country style with
fresh, playful choral harmonies, this will be as
much fun to sing as it is to listen to. The SATB
and SAB editions open with a stylized vocal trio
feature that really gets things going. The terrific
orchestration hits the mark and will guarantee a
spectacular performance!
8059561 SATB . . . . . . . . . . . . . . . . . . 2.15
8059562 SAB. . . . . . . . . . . . . . . . . . . 2.15
8059564 P/A CD . . . . . . . . . . . . . . . 27.99
8059565 Instrumental Parts . . . . . . . 50.00
H For the Beauty of the Earth—John Rutter.
John Rutter's engaging melody over a flowing
accompaniment is equally beautiful in either the
SATB or SA treatment. If you haven't already,
consider the instrumental accompaniment for a
fresh perspective on this sacred gem. Scored for
strings, winds, harp (playable on keyboard), and
drums, it includes instrumental lines that are as
lovely as the vocal lines. A perennial favorite, this
is a tasteful blend of text and musical expression.
Vintage John Rutter.
1418599 SATB . . . . . . . . . . . . . . . . . . 3.10
1363399 SA . . . . . . . . . . . . . . . . . . . . 2.30
10432346 TTBB . . . . . . . . . . . . . . . . . . 3.10
4534657 Instrumental Parts . . . . . . . 58.95
10664870 Full Score . . . . . . . . . . . . . 25.25
For the Beauty of the Earth—Ruth Elaine
Schram. Only an artfully crafted melody suits this
beloved hymn text. In this original composition,
arching melodic lines are tastefully supported in
the piano accompaniment, making this a definitive
and expressive choral statement for singers of all
ages. Available in a variety of flexible voicings for
concert or worship use.
3282043 SATB . . . . . . . . . . . . . . . . . . 1.50
10871926 Two-Part Mixed/Opt. Alto . . . 1.95
3279072 Unison/Two-Part . . . . . . . . . 1.95
3282050 SSA . . . . . . . . . . . . . . . . . . . 1.95
4L Gaelic Blessing (Deep Peace) (from "Light
t
Shines in Darkness")—Michael John Trotta.
A simple a cappella setting of Fiona Macleod's
traditional text that invokes the peace and
stillness of nature. The choral parts move gently
with extended cluster chord cadences and some
simple divisi. This is the eighth and final movement
from the larger work, and can serve as a beautiful
benediction or closing number.
10874720 SATB . . . . . . . . . . . . . . . . . . 2.50
10874720L SATB Large Print . . . . . . . . . 2.50
Gather by the River to Pray—arr. Pepper
Choplin. Two traditional American folk hymns,
Down to the River to Pray and Shall We Gather at
the River, are creatively blended together in this
outstanding anthem. Accessible choral writing
delivers warm texture throughout as each song is
first presented separately and then in tandem. Just
as a river, the text flows gently above a simple yet
supportive keyboard accompaniment.
10089827 SATB/SAB . . . . . . . . . . . . . . 2.40
10520116 Two-Part Mixed . . . . . . . . . . 2.40
10520180 P/A CD . . . . . . . . . . . . . . . 26.95
H Gaudeamus Hodie—Earlene Rentz. The strong,
driving rhythms and exciting dynamic contrasts of
this Latin setting will keep your audience and choir
engaged right up to the final vigorous "Hallelujah!"
This is very catchy, fun to sing and easy to sound
good on! Highly recommended!
10047633 SATB . . . . . . . . . . . . . . . . . . 2.25
10047632 Three-Part Mixed . . . . . . . . . 2.25
10303379 Unison/Two-Part . . . . . . . . . 2.25
10303381 SSA . . . . . . . . . . . . . . . . . . . 2.25
10510042 TBB . . . . . . . . . . . . . . . . . . . 1.95
Gloria Deo!—Victor C. Johnson. Here is a
fresh-sounding concert work that is perfect
for developing treble or mixed choirs. With a
supportive accompaniment, the music ebbs and
flows with forward motion and positive energy to a
powerful ending. A top-notch selection for concert
or festival use!
10871861 Three-Part Mixed . . . . . . . . . 2.25
10582862 SSA . . . . . . . . . . . . . . . . . . . 2.25
Gloria et Honor—Antonio Salieri/ed. Martin
Banner. While Salieri was not as heralded a
composer as many of his contemporaries, he made
significant contributions to sacred choral works
during the years 1788-1824 as Hofkapelmeister to
the court in Vienna. This work begins in a fugal style
before settling in to a homophonic setting. A perfect
example of the classical style, this setting is spirited
in nature with teachable moments throughout.
10801335 SATB . . . . . . . . . . . . . . . . . . 2.10
lL Gloria Fanfare—Victor C. Johnson. Singers and
t
audiences alike will be satisfied by this powerful,
richly scored Christmas fanfare by Victor C.
Johnson. The traditional Gloria in excelsis Deo text
makes this an approachable and appropriate choice
for a concert opener or for heralding the beginning
of a madrigal dinner. Glorious!
10810604 SATB . . . . . . . . . . . . . . . . . . 1.85
10810604L SATB Large Print . . . . . . . . . 1.85
Gloria Fanfare—Laura Farnell. A brilliant,
trumpet-like choral fanfare opens this regal work
and reappears throughout in response to the softer,
contrasting passages. Lots of block chords and a
bright tempo help to make this a terrific opener!
Now available in a three-part mixed voicing that
includes an optional baritone part.
10734576 Three-Part Mixed
with optional baritone . . . . . . 1.95
10006229 SSA . . . . . . . . . . . . . . . . . . . 1.95
Gloria Patri—Franz Schubert/arr. Patrick M.
Liebergen. Beginning with joyous acclamations,
this exuberant piece features a polyphonic middle
section followed by a lyrical presentation of the
"amens" and the return of the homophonic style
in the closing declamatory statements. This
arrangement provides high school choirs with a
solid introduction to a classical style of singing.
Highly recommended!
10737603 SATB from
"Magnificat" D. 486 . . . . . . . 2.10
Ht God Be in My Head—John Rutter. A gorgeous
setting of the well-known English prayer text. A
wonderful way to conclude a service or performance.
1420025 SATB . . . . . . . . . . . . . . . . . . 2.80
1693951 SSA . . . . . . . . . . . . . . . . . . . 2.40
L Hallelujah Chorus—G. F. Handel/arr. Hal
Hopson. This new practical edition' of Handel's
chorus from Messiah is unique in a number of
ways. Arranger, Hal Hopson, has lowered the key
one whole step to C, simplified the organ part,
and provided optional parts for congregation,
handbells, brass and timpani. More versatile and
accessible than ever, this is the perfect edition to
include everyone in your celebrations at Easter
and/or Christmas. New for this year we offer this
accessible classic for SAB voices.
8037830 SATB . . . . . . . . . . . . . . . . . . 2.35
8037830L SATB Large Print . . . . . . . . . 2.35
10669595 SAB. . . . . . . . . . . . . . . . . . . 2.25
10669595L SAB Large Print . . . . . . . . . . 2.25
8037848 Instrumental Parts . . . . . . . 26.95
H Hark, I Hear the Harps Eternal—arr. Mark
Hayes. Mark Hayes delivers a masterpiece with
his arrangement of this nineteenth-century
American shape-note standard! The brilliant four-
hand (optional two-hand) piano accompaniment
and inventive choral treatment accentuate the
celebratory text. Accessible and energetic, this
highly effective selection is sure to become a
favorite of singers and audience!
10307596 SATB with opt. 4-Hand Piano 2.50
10307597 SAB with opt. 4-Hand Piano . 2.50
10307598 SSA with opt. 4-Hand Piano . 2.50
10307599 P/A CD . . . . . . . . . . . . . . . 26.95
H He Never Failed Me Yet—Robert Ray. With its
driving beat and enormous appeal, this powerful
gospel work has become the definitive selection
in this style for an entire generation. Use one or
two soloists and be prepared for spontaneous,
hand-clapping joy as your group reaches the finale.
Impressive! (The SSA edition is one step higher, in
the key of C.)
1424092 SATB . . . . . . . . . . . . . . . . . . 2.10
8070839 SSA . . . . . . . . . . . . . . . . . . . 2.10
10002656 TTBB . . . . . . . . . . . . . . . . . . 2.25
1901263 P/A CD . . . . . . . . . . . . . . . 26.99
1939735 Instrumental Parts . . . . . . . 50.00
10002660E Full Orchestra ePrint . . . . . . 55.00
l Heilig, Heilig, Heilig ((Holy, Holy, Holy))—Franz
Schubert. Long a standard for choirs, this simple
and elegant Schubert song for mixed choir is
experiencing renewed interest. A singable English
text is provided along with an IPA pronunciation
guide and translation for the German text. Perform
a cappella, or with optional piano or organ
accompaniment to create a profound moment in
your concert or service.
10804538 SATB . . . . . . . . . . . . . . . . . . 2.10
L
How Can I Keep from Singing (My Life Flows
on in Endless Song)—Taylor Davis. This uplifting
and encouraging text is set simply and effectively
with an accompaniment that is both sensitive and
gently rhythmic. The optional oboe and violin parts
add a lyrical touch. A wonderful choice for any
worship service throughout the church year.
10082837 SATB with Oboe & Violin . . . . 2.50
10082837L SATB Large Print . . . . . . . . . 2.50
10082838 Instrumental Parts . . . . . . . 10.00
