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SACRED All Voicings easy / medium-easy
Sanctus—Sally K. Albrecht. An accessible choral
setting featuring a one-octave melody, imitative
textures, independent vocal parts, and an easily
learned Latin text make this an ideal selection
for developing choirs. The interplay between the
voices encourages balanced choral singing with
an opportunity for every part to enjoy singing the
melodic material. A wonderful teaching piece
to emphasize pure vowels, legato phrasing and
musicality. Simply stunning.
10738835 Three-Part Mixed . . . . . . . . . 1.90
10738836 Two-Part or SA. . . . . . . . . . . 1.90
Sanctus (from "German Mass in F")—Franz
Schubert/arr. Lon Beery. A beautiful adaptation
of this Schubert standard for men's ensembles.
This piece is equally appropriate for concert or
worship settings and presents wonderful teaching
opportunities for lyrical singing along with an
introduction to simple German text. Sing either
the English version or the original German with the
pronunciation guide (included).
10735262 TTB . . . . . . . . . . . . . . . . . . . 1.95
t Three A Cappella Latin Settings—Jerry Estes.
Developing choirs will be motivated and engaged
by this unique set of three, short, original a cappella
pieces. Written in contrasting styles, the opening
Gloria In Excelsis Deo is exuberant and features a
soloist or small group. An expressive Et In Terra
Pax is followed by a vibrant and rhythmic Alleluia.
Whether performed individually or as a set, at
Christmas, or in a general concert setting or festival
at school or church, this wonderful teaching piece
has many valuable uses. A Learning Resource Page
is included.
10512811 Three-Part Mixed . . . . . . . . . 2.25
Sacred Concert
All Voicings
Medium-Easy
4 Adagio in G Minor (Agnus Dei)—Tomaso
Giovanni Albinoni/arr. Audrey Snyder. This
lovely setting of the well-known melody uses the
traditional Latin "Agnus Dei" text. Lots of teaching
opportunities can be found in this Baroque work,
beautifully adapted for choirs. Wonderful!
10908429 SATB . . . . . . . . . . . . . . . . . . 2.25
t
Adoramus Te—G.P. da Palestrina/arr. John
Leavitt. The expressiveness of the Renaissance is
richly portrayed in this clean edition of Palestrina's
classic masterwork. At only one and a half minutes
in duration, this is an excellent choice for young a
cappella choirs. It belongs in every choral library!
3289840 SATB . . . . . . . . . . . . . . . . . . 2.10
10092184 TTBB . . . . . . . . . . . . . . . . . . 1.95
l Agnus Dei—Michael John Trotta. Following his
successful settings of Kyrie and Gloria for treble
voices, Dr. Trotta delivers a third movement from
the Missa Brevis with Agnus Dei. Each setting
has been carefully crafted for emerging treble
singers to provide educational opportunities for
range extension, musical phrasing and attention
to syllabic stress. Agnus Dei, set with piano or
harp accompaniment and optional flute obbligato,
features a partner song setting with two lyrical
melodies in the minor mode. A wonderful choice
for concerts, festivals or sacred services.
10871945 SA with Piano or Harp
& opt. Flute . . . . . . . . . . . . . 2.50
L Agnus Dei—Victor C. Johnson. This flowing,
melodic setting of the traditional Latin text is
absolutely gorgeous! The marvelous part writing,
luscious harmonies and rich accompaniment are
so gentle and graceful, the work is pure liquid
expression. Highly recommended!
10810582 Three-Part Mixed . . . . . . . . . . 2.10
10810582L Three-Part Mixed Large Print. . 2.10
10044094 Two-Part or SA . . . . . . . . . . . . 2.10
10047774 P/A CD . . . . . . . . . . . . . . . . . 26.95
H All Things Bright and Beautiful—John Rutter.
The delicate melody befitting this familiar text gains
gentle momentum by a continual movement in the
keyboard. A quintessential piece for spring from
renowned composer John Rutter.
1673078 SATB . . . . . . . . . . . . . . . . . . 2.70
10648587 SSA . . . . . . . . . . . . . . . . . . . 2.30
1484310 Unison/Two-Part . . . . . . . . . 2.30
4535720 Instrumental Parts . . . . . . . 58.95
10648586 Full Score . . . . . . . . . . . . . 24.95
t Alleluia—arr. Russell Robinson. Inspired
by the Byrd Haec dies, this very accessible
arrangement, using only the word "alleluia,"
provides a nice introduction to counterpoint and
independent singing for a developing choir. Piano
accompaniment reinforces the vocal lines but can
be excluded for an a cappella performance.
10736718 Three-Part Mixed . . . . . . . . . 2.10
HL Amazing Grace—arr. Jack Schrader. Absolutely
inspired! Jack's perspective on this beloved melody
is to use a slow, gospel style. The authentic piano
accompaniment has all the piano licks you could
possibly want, and supports the arrangement just as
well as the marvelous orchestral track. In a creative
twist, the last verse features the instruments on the
melody as the choir acts as "back-up singers" to
the piano. Part of our American heritage, Amazing
Grace is a hymn everyone knows, and this
arrangement adds a richness to the melody that
you simply must hear to appreciate.
3133154 SATB . . . . . . . . . . . . . . . . . . 2.20
3133154L SATB Large Print . . . . . . . . . 2.20
3133162 P/A CD . . . . . . . . . . . . . . . 29.95
8020711 Orchestration . . . . . . . . . . . 69.95
H
Amazing Grace/Pachelbel's Canon—arr. Jean
Anne Shafferman. Here is a marvelous pairing
of Amazing Grace with the beloved baroque
classic, Pachelbel's Canon! The baroque canon
accompanies as the voices sing Amazing Grace in
4/4. Opening with unison voices, it flows easily to
rich part writing, closing in inventive counterpoint
with the canon bass line, the Amazing Grace
melody, and a soaring soprano descant Alleluia.
Inventive and very creative!
3073350 Two-Part . . . . . . . . . . . . . . . 1.85
lt Angels Hovering Round—Kevin Siegfried. This
sturdy arrangement is based on a spiritual folk song
that appeared in a number of American hymnals
beginning in the mid 19th century. Angels Hovering
Round appears in The Revivalist hymnal of 1868
and in The Sacred Harp as Golden Streets. This
setting combines both versions in homage to the
revival and shape note traditions.
10911453 SSAATTBB . . . . . . . . . . . . . . 2.50
Ave Maria—Giulio Caccini/arr. Patrick Liebergen.
Caccini's haunting melody has been recorded
by everyone from Charlotte Church to Andrea
Bocelli and no wonder: it's simply gorgeous.
Now available for SSA groups, this tasteful
arrangement allows the melody and harmonies
to speak for themselves. An optional flute part is
included in the octavo.
3285509 SATB . . . . . . . . . . . . . . . . . . 1.85
3285517 SAB. . . . . . . . . . . . . . . . . . . 2.25
10501318 SSA . . . . . . . . . . . . . . . . . . . 1.90
3300748 TTBB . . . . . . . . . . . . . . . . . . 2.25
4t Be Thou My Vision—arr. Russell Robinson. Russ
Robinson's arrangement of Be Thou My Vision is
simplistic yet elegant. His addition of color chords
adds musical interest without taking away from
the original melody and harmonies. Thoughtful
and different!
10872210 SATB . . . . . . . . . . . . . . . . . . 1.95
lL The Blessing of Light—Mark Sirett. Selected for
t the Mike Scheibe Choral Series, this benediction
uses the text of an ancient Scottish blessing that
is delightfully generic in nature. Warm, deep and
melodic, this is a benediction that can be used
anywhere - church, school, college, community.
Provided with both a piano and optional organ
accompaniment (available separately), this
selection is a wonderful end to any event. Easy to
medium in difficulty.
10873523 SATB . . . . . . . . . . . . . . . . . . 2.15
10873523L SATB Large Print . . . . . . . . . 2.15
H Cantate Domino—Nancy Hill Cobb. Fresh,
singable melodic lines and a logical ABA-Coda
form make this original work by Nancy Hill
Cobb a perfect choice for any two-part choir. A
pronunciation guide for the Latin is written in
the vocal parts, and performance notes are also
included. The melodies have no difficult leaps
or accidentals, which simplifies teaching, sight-
reading and memorization. Educationally, musically
and compositionally solid. An excellent choice.
3192275 Two-Part . . . . . . . . . . . . . . . 2.05
Cantate Domino—Mark Hayes. Pure energy
from start to finish, this dynamic original
features captivating syncopations, mixed meter,
polyphonic sections, and a dramatic ending.
Crafted in minor mode, it incorporates both Latin
and English lyrics, which are brought to life by the
toccata-like piano accompaniment.
10089736 SATB . . . . . . . . . . . . . . . . . . 2.10
10089738 P/A CD . . . . . . . . . . . . . . . 24.95
4t Cantate Domino—Giuseppe Ottavio Pitoni/arr.
John Leavitt. Arranged for tenor-bass ensembles,
this important selection from the standard choral
repertoire can be experienced and enjoyed
by a new audience. True to Pitoni's original,
Leavitt preserves the classic harmonic structure
and voice leading but pays careful attention
to the ranges and tessitura for developing
voices. Wonderful!
10866905 TTBB . . . . . . . . . . . . . . . . . . 2.10
4L Cantate et Benedicite—Patti Drennan. This
joyful setting of traditional Latin text is easy to learn
and especially appropriate for developing mixed
ensembles. Highly singable, with lilting vocal lines
and a supportive piano part, this original piece is a
great way to teach pure vowels and musicality in
the context of a dynamic concert work.
10882442 SATB . . . . . . . . . . . . . . . . . . 1.95
10882442L SATB Large Print . . . . . . . . . 1.95
H Cantate Hodie! (Sing Today)—Mary Lynn
Lightfoot. A very impressive opener or contest-
festival piece! Bright, fanfare-like motives, incisive
accompaniment and text in Latin and English work
together to make this work a standout for young
and developing choirs. First-rate music, with real
lift and impact! Highly recommended!
10089750 SATB . . . . . . . . . . . . . . . . . . 2.10
8067124 Three-Part Mixed . . . . . . . . . 2.10
8067138 Two-Part . . . . . . . . . . . . . . . 1.95
10011502 SSA . . . . . . . . . . . . . . . . . . . 2.10
10011503 TTB . . . . . . . . . . . . . . . . . . . 2.10
10089756 P/A CD . . . . . . . . . . . . . . . 26.95
Come Sing to Me of Heaven—J. Aaron McDermid.
Expressive melodic lines and phrases lend
a sense of yearning and melancholy to the
unwavering hope and peace found in the text of
this folk melody. Aaron McDermid has arranged
"Come Sing to Me of Heaven" with broad, open
chords and tightly-woven suspensions. The
slow, mournful opening gives way to a faster,
contrasting middle section as the anticipation and
hope of heaven builds. This moving contemplation
of death and heaven is also a song of comfort an
emotional offering for concert or contest.
10880457 SATB . . . . . . . . . . . . . . . . . . 2.25
l Das Grosse Halleluja (The Great Hallelujah)—
Franz Schubert/arr. Ben May. One of Schubert's
early works, penned in 1816 while he was only
19, this work hearkens back to an earlier time. The
running eighth notes in the piano accompaniment
with triadic harmonies in the upper hand doubling
the choir combined with the festive, joyful spirit of
the text are a nod to the Baroque era. Translation
and pronunciation guides are provided.
10862566 SSA . . . . . . . . . . . . . . . . . . . 2.30
Deo Dicamus Gratias—Victor Johnson. Luscious
harmonies, fluid melodies, and a rich piano
accompaniment all come together in this inspiring
and uplifting original work for mixed chorus.
Emotive and so musical at every phrase, this is
an outstanding vehicle to display the expressive
nuances of your choir and we enthusiastically give
it our highest recommendation!
3298343 SATB . . . . . . . . . . . . . . . . . . 1.95
3298344 Three-Part Mixed . . . . . . . . . 1.95
10011521 SSA . . . . . . . . . . . . . . . . . . . 1.95
10011522 TTB . . . . . . . . . . . . . . . . . . . 1.95
10011520 Two-Part . . . . . . . . . . . . . . . 1.95
Dies Irae—Christi Jones. Treble or tenor-bass
choirs of all abilities will embrace singing this
powerful and intense contemporary setting using
the Day of Wrath text. The powerful melodic
statements and lyrical part-writing contrast
beautifully with the rhythmic, percussive piano
accompaniment. Bold yet accessible, this piece
makes a terrific selection for concert or festival.
10846395 SSA . . . . . . . . . . . . . . . . . . . 2.25
10735259 TTB . . . . . . . . . . . . . . . . . . . 2.25
4L Dixit Dominus—Antonio Vivaldi/arr. Patrick M.
Liebergen. This arrangement provides a wonderful
first step into singing masterworks. Optional flute
and cello parts are available to enhance the well-
written vocal parts. The piece is sung in Latin, with
a pronunciation guide and translation provided.
10881699 SATB . . . . . . . . . . . . . . . . . . 2.05
10881699L SATB Large Print . . . . . . . . . 2.05
10881700 SAB. . . . . . . . . . . . . . . . . . . 2.05
10881700L SAB Large Print . . . . . . . . . . 2.05
10881851 Multi-Song Accomp. CD . . . 44.99
t Dominus Vobiscum—Jacob Narverud. This
powerful, flowing a cappella work in Latin opens
with a beautiful unison chant and closes with a quiet
"Amen." It is infused with interesting and varied
harmonies, changing meter, and dramatic dynamics.
This will bring out the musicianship of your a cappella
voices very nicely! Highly recommended!
10735148 SAB. . . . . . . . . . . . . . . . . . . 1.95
10510012 SSA . . . . . . . . . . . . . . . . . . . 1.95
10584802 TBB . . . . . . . . . . . . . . . . . . . 1.95
A collection of masterworks!
BACH for
YOUNG VOICES
J.S. Bach/arr. Geoffrey
Edwards.
This collection
celebrates the generational
universality of Bach's music by
bringing these time-honored
selections within the technical
reach of younger singers as a
reproducible book in two-part
format. Directors will find the seven
sensitively crafted arrangements,
Alleluia; Come, Walk with Me; Jesu,
Joy of Man's Desiring; Awake, Thou
Wintry Earth; And So Shall I Sing;
Sheep May Graze and Good People
All, Rejoice, are all faithful to the
composer's originals, with carefully
planned vocal lines and supportive
piano parts. With a school-friendly
text provided for each title, this
collection will aid in fostering a
lasting appreciation for Bach's
music to your students and the
continued enrichment it brings to all
of our lives.
10736705 Two-Part Reproducible
Book . . . . . . . . . . . . . . 99.95
10736706 P/A CD . . . . . . . . . . . . 35.00
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