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CONCERT
MUSIC
4 Ave Maria—Franz Schubert/
arr. Russell Robinson.
The Schubert masterpiece,
skillfully arranged for developing choral groups,
provides opportunities for solos or section features
and allows conductors to work on healthy singing
technique, beautiful intonation, and blend. Sung in
Latin, with a translation and pronunciation guide
included, this setting of the beloved melody remains
true to the original while making this important work
accessible to three-part mixed and SSA choirs.
Beautifully done!
10881599 Three-Part Mixed. . . . . . . . . . . . . 2.05
10881599L Three-Part Mixed Large Print . . . 2.05
10881600 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.05
10881600L SSA Large Print . . . . . . . . . . . . . . 2.05
10881851 Multi-Song Accomp. CD . . . . . . 44.99
4t
Cantate Domino—Giuseppe Ottavio Pitoni/
arr. John Leavitt. Arranged for tenor-bass
ensembles, this important selection from the
standard choral repertoire can be experienced and
enjoyed by a new audience. True to Pitoni's original,
Leavitt preserves the classic harmonic structure and
voice leading but pays careful attention to the ranges
and tessitura for developing voices. Wonderful!
10866905 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.10
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Das Grosse Halleluja (The Great Hallelujah)
—Franz Schubert/arr. Ben May.
One of
Schubert's early works, penned in 1816 while
he was only 19, this work hearkens back to an
earlier time. The running eighth notes in the piano
accompaniment with triadic harmonies in the upper
hand doubling the choir combined with the festive,
joyful spirit of the text are a nod to the Baroque era.
Translation and pronunciation guides are provided.
10862566 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.30
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Die Junge Nonne (The Young Nun)—
Franz Schubert/arr. Brandon Williams.
Schubert, composer of over 600 lieder, elevated
the art form by creating settings that give equal
consideration to the melody, piano accompaniment
and painting of the text. This adaptation of a
classic lied for treble chorus is extremely authentic
and presents an opportunity for choruses to
be introduced to this art form. An excellent
pronunciation guide and translation are provided for
the German text.
10842869 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.75
4
Dixit Dominus—Antonio Vivaldi/
arr. Patrick M. Liebergen.
This arrangement
provides a wonderful first step into singing
masterworks. Optional flute and cello parts are
available to enhance the well-written vocal parts.
The piece is sung in Latin, with a pronunciation
guide and translation provided.
10881699 SATB . . . . . . . . . . . . . . . . . . . . . . 2.05
10881699L SATB Large Print . . . . . . . . . . . . . 2.05
10881700 SAB . . . . . . . . . . . . . . . . . . . . . . . 2.05
10881700L SAB Large Print . . . . . . . . . . . . . . 2.05
10881851 Multi-Song Accomp. CD . . . . . . 44.99
4
Dona Nobis Pacem (from "Missa Brevis,"
K.49)—W.A. Mozart/arr. Patrick M. Liebergen.
This well-written arrangement is a wonderful
festival piece for middle school choirs. A nice
introduction to singing in Latin, the easy-to-
teach piece includes a pronunciation guide and
translation for the title phrase, which is repeated
throughout the work. Well done!
10881701 Three-Part Mixed. . . . . . . . . . . . . 2.05
10881701L Three-Part Mixed Large Print . . . 2.05
10881702 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.05
10881702L SSA Large Print . . . . . . . . . . . . . . 2.05
10881851 Multi-Song Accomp. CD . . . . . . 44.99
Glory to God—G.F. Handel/
arr. Michael Ryan.
At long last, this perennial
favorite from Handel's "Messiah" is now available for
developing ensembles in a simplified yet authentic
arrangement that will enhance the sound of any size
choir. Lowered from the key of D to the key of B-flat,
and with an updated text, this arrangement presents
a great opportunity to introduce choirs to "Messiah"
and to teach Baroque style in an accessible format.
10684743 Three-Part Mixed. . . . . . . . . . . . . 2.10
10882436 Two-Part . . . . . . . . . . . . . . . . . . . 1.95
10882436L Two-Part Large Print . . . . . . . . . . 1.95
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Hallelujah—arr. Michael Ryan. One of the
world's most recognized and performed choral
works from Handel's "Messiah" is now available in a
carefully crafted arrangement for middle school mixed
voices! Special attention has been given to voice
leading to keep it comfortable for developing voices,
and the piano part has also been recast to fall more
easily under the fingers. A thrilling program closer!
10810605 Three-Part Mixed. . . . . . . . . . . . . 2.25
10810605L Three-Part Mixed Large Print . . . 2.25
10882905 P/A CD-Three Part
Mixed Ap Pack . . . . . . . . . . . . . 44.95
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Hallelujah, Amen—G.F. Handel/
arr. Greg Gilpin.
Introduce your tenor-bass
ensemble to Baroque style with this powerful chorus
from Handel's oratorio Judas Maccabeus. Adapted
for just two voice parts, this arrangement preserves
much of the original counterpoint and is a wonderful
piece for teaching melismatic phrases. A wonderful
choice for festival or concert use!
10866278 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.05
10866278L TB Large Print . . . . . . . . . . . . . . . 2.05
10881851 Multi-Song Accomp. CD . . . . . . 44.99
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Heilig, Heilig, Heilig ((Holy, Holy, Holy))—
Franz Schubert.
Long a standard for choirs, this
simple and elegant Schubert song for mixed choir
is experiencing renewed interest. A singable English
text is provided along with an IPA pronunciation
guide and translation for the German text. Perform
a cappella, or with optional piano or organ
accompaniment to create a profound moment in
your concert or service.
10804538 SATB . . . . . . . . . . . . . . . . . . . . . . 2.10
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Let the Sea Make a Noise—G.F. Handel/
arr. Jacob J. Narverud.
A piece from Handel's
Chandos Anthems, now artfully and tastefully
arranged for treble voices. Perfect for mature choirs
or strong children's choirs, this is a superb addition
to treble standard repertoire.
10795134 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.15
10795134L SSAA Large Print . . . . . . . . . . . . . 2.15
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Let Us Sing—Henry Purcell/
arr. Melissa Keylock & Jill Friedersdorf.
Purcell's original was for solo soprano and figured
bass, while this new choral adaptation offers a
counter melody in the second verse along with
a stylistic piano accompaniment. Ample unison
singing allows young treble singers to work on
tone and blend, while the Baroque melismas
offer opportunity to perfect precision and clarity.
Significant repertoire for developing choirs!
10834153 SA or two-part . . . . . . . . . . . . . . . 2.10
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Locus Iste—Anton Bruckner/
arr. Russell Robinson.
Originally written for the
dedication of the chapel in the New Cathedral
in Linz, Austria, this choral classic is the perfect
selection for dedications, graduations, or general
concert purposes. While the original SATB was
a cappella, this arrangement for tenor/bass choir
adds an optional developed piano accompaniment
making it flexible for any situation and ensemble.
Great literature for developing choirs.
10866174 TTB opt. Piano. . . . . . . . . . . . . . . 2.25
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The Mermaid's Song—Joseph Haydn/
arr. Thea Engelson.
This delightful and fun-to-
sing arrangement of the classic song by Hadyn is a
great teaching piece for both technique and style.
Challenging for both the singers and accompanist,
this song in strophic form will be worth the work.
10795108 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.15
10795108L SA Large Print . . . . . . . . . . . . . . . 2.15
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Nisi Dominus—Baldassare Galuppi/
ed. Kevin T. Padworski.
Although primarily
known as an opera composer, Galuppi contributed
a steady output of sacred music. In this edition,
the original figured bass has been fully realized in
the piano accompaniment, but the figured bass
symbols are included for educational purposes or for
accompaniment by a Baroque ensemble. The choral
parts have been maintained according to the original
manuscript. A wonderful example of authentic
Baroque repertoire for your concert choir!
10833255 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
10909702 Instrumental Parts . . . . . . . . . . . 30.00
4
Plorate Filii Israel—Giacomo Carissimi/
arr. Brandon Williams.
Here is the beautiful
final movement from Giacomo Carissimi's oratorio
Jephte. Originally for SATB choir, soloist, narrator
and instruments, here is a new arrangement for
tenor/bass voices that allows them to explore this
important musical style. Along with the Baroque
style and the Latin text, this piece also lends itself to
teach legato line, imitation and the emotional context
of loss and lamentation.
10831538 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.10
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Sound the Trumpet—Henry Purcell/
arr. Steven Rickards.
This classic Baroque duet
is always a popular choice for young singers. In this
beautifully realized edition, the key has been lowered
to D major, and Baroque-inspired ornaments have
been added to the repeat of each section. It can be
performed by any combination of two voices as a
duet or by any two-part choir.
10844752 SA or Two-Part . . . . . . . . . . . . . . 2.10
4
Stabat Mater—Sulpitia Cesis/
ed. Meredith Bowen.
This is a work by a
little known 17th century Italian composer,
lutenist, and nun - Sulpitia Cesis. In
groundbreaking research by Meredith Bowen,
we not only learn that women sang in the early
church but also that women wrote music for it as
well. Providing both a realized accompaniment and
a cello part, authentic performances are possible
of some of these little known but magnificent
works. Discreet editorial suggestions are provided
to assist in an informed presentation.
10910963 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.25
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Wasserfahrt—Felix Mendelssohn/
arr. Larry D. Garrett.
Heinrich Heine was a favorite
poet for Mendelssohn. In Wasserfahrt, or "waterway"
in English, Heine provides a pictorial poetry that
Mendelssohn seizes upon. Throughout this short
piece, the listener senses the insistent rocking of the
boat and slapping of the water. This arrangement
for male voices adds to the growing number of
masterworks now available for male singers.
Pronunciation guide and translations are provided.
10785707 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.15
10785707L TTBB Large Print . . . . . . . . . . . . . 2.15
MASTERWORKS
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