J.W. Pepper Catalogs

2020-21 Jazz Catalog

J.W. Pepper Music Catalog

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19 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] JAZZ ENSEMBLE Go to cart BLUES & SWING medium 4 Spoiler Alert—Andrew Neu. With a nod to the wonderful charts Sammy Nestico wrote for Count Basie, this medium swinger for advancing groups features the saxophones and trumpets in strong unison melodies. Additionally, written or improvised solos are featured for piano, tenor sax or trumpet. Included are optional vibes parts and a handy guitar chord chart. An ideal opener, closer, or anything in between! 11191613 Jazz Ensemble . . . . . . . . . . . .52.00 4 The Stockhouse Shuffle—Matt Morey. This swinging chart is a true shuffle in the tradition of Jerome Richardson's The Groove Merchant as performed by the Thad Jones/Mel Lewis Orchestra. The tempo makes this chart accessible and is great for teaching style. The trumpet range goes up to high C and the trombone up to G flat. Trumpet and tenor sax solos are separated by a clever interlude before moving on to a shout section that will really show off the band's dynamic contrast as the energy moves between the brass and saxes. You can't go wrong with this one! 11207704 Jazz Ensemble . . . . . . . . . . . .50.00 H Stompin' at the Savoy—arr. Greg Yasinitsky. After the initial statement, Greg Yasinitsky gives this Benny Goodman treasure an updated and contemporary flair while remaining true to the original. It's all there in this exciting chart... nice dynamic contrasts, a stop-time section, a sax section soli, ensemble interludes, a written or improvised trumpet 2 solo, and it's all played around 168 bpm. The lead trumpet range is to written B-flat above the staff and optional parts are included for expanded instrumentations. Solid with proven appeal! 10513990 Jazz Ensemble . . . . . . . . . . . .52.00 Summertime (from Porgy and Bess)—George Gershwin/arr. Dave Rivello. This medium swing trumpet solo feature contains tons of jazz substance! Arranger Dave Rivello captures the distinctive "Miles Davis-Harmon Mute" sound in this outstanding chart that features both the band and soloist "a la Miles." The 2nd trumpet solo part goes to written F on the top line, and the lead trumpet goes to written A. Highly recommended! 10011971 Jazz Ensemble . . . . . . . . . . . .52.00 l Sweet Magnolias—Jeff Coffin/arr. Ryan Middagh. A soulful, slow, bluesy, New Orleans-inspired swing chart, Sweet Magnolias features a solo tenor saxophonist. One of the more accessible charts from the Jeff Coffin catalog, it's great for a variety of ability levels. 11164651 Jazz Ensemble . . . . . . . . . . . .60.00 Swing Zone—Carl Strommen. Carl Strommen offers up this wonderful swing chart with a relaxed Basie band feel. Written solos feature trumpet and tenor saxophone, or let them loose to improvise on the changes. At around 120 bpm, it's scored for full jazz ensemble, yet will sound great with optional limited instrumentation. An excellent choice for contest or festival use, Swing Zone is highly recommended! 11002311 Jazz Ensemble . . . . . . . . . . . .55.00 H Switch in Time—Sammy Nestico. Sammy Nestico wrote this classic chart for the Count Basie Orchestra and it was recorded on the album Basie - Straight Ahead. An approachable chart for advancing groups, this minor blues outing features attractive chord changes and a brilliant finale. Classic Basie! 546390 Jazz Ensemble . . . . . . . . . . . .52.00 H Take Five—Paul Desmond/arr. Rich DeRosa. Perhaps the most famous time chart of all, Take Five is in 5/4 - but the rhythmic pattern is clear and consistent throughout. You'll find this arrangement very accessible, with easy alto sax and drum solos plus modest brass ranges. This chart features a more laid-back style than the original and is sure to be just as important today as was in the 1960s. Recommended for every jazz enthusiast! 10049802 Jazz Ensemble . . . . . . . . . . . .52.00 H Take the 'A' Train (Original Version)—Billy Strayhorn/trans. David Berger. This very special, historic publication is an exact transcription of the 1941 version recorded by Duke Ellington. David Berger's expertise is evident in the completely voiced rhythm parts and written out solos. This classic belongs in every jazz ensemble library everywhere! 2237790 Jazz Ensemble . . . . . . . . . . . .50.00 Tangerine—arr. John Wasson. Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano introduction. The spotlight then moves between the saxes and the brass before a feature solo spot for trombone. A classic and unique take on a familiar standard! 11100141 Jazz Ensemble . . . . . . . . . . . .55.00 Tenor Madness—Sonny Rollins/arr. Mark Taylor. This Sonny Rollins classic is bebop at its best! A stellar, up-tempo chart that turns both your tenor players loose and lets them battle it out in the solos. The two tenors trade phrases while the band keeps things cooking throughout. It sounds like a little "madness" is good for the soul! 2433860 Jazz Ensemble . . . . . . . . . . . .50.00 4 That's All—Haymes & Brandt/arr. Billy Byers. As recorded on Basie Picks the Winners, this wonderful Billy Byers chart takes the lovely standard into a whole new world. There is a bit of flute to be played by your first tenor, a trumpet and piano solo, and there is some exquisite writing creating great shout choruses and subtle voicing for the band. With moderate ranges for all, you will love this one! 11202781 Jazz Ensemble . . . . . . . . . . . .55.00 That's Life—arr. Gordon Goodwin. Gordon Goodwin's medium-slow treatment of this familiar standard swings hard right from the top! This expertly crafted chart features plenty of tutti ensemble writing, solo space for trumpet and piano, and a short but potent sax soli. Silky smooth! 2286565 Jazz Ensemble . . . . . . . . . . . .50.00 There Will Never Be Another You—arr. Mark Taylor. Here's a great chart on the familiar Harry Warren jazz standard that features the drummer on brushes and tasty figures from the full ensemble. Also featured are wonderful sectional and full ensemble passages that display your band's ability for cohesive playing. There's a suggested or improvised solo for trombone supported by excellent background writing. Here is a highly creative and tasteful chart that exemplifies this arranger's skill. Developing groups will find it ideal for festivals, concerts and casual occasions. Highly recommended! 10667344 Jazz Ensemble . . . . . . . . . . . .45.00 H Things Ain't What They Used to Be—Mercer Ellington/arr. Alan Baylock. Mercer Ellington's classic blues shuffle gets the Baylock treatment! The style is down home and the solos are for alto, trumpet, trombone, and tenor sax. Also included is a powerful Baylock-style shout chorus and optional parts for expanded instrumentations. It's a fun chart and it gets our highest recommendation! 10513911 Jazz Ensemble . . . . . . . . . . . .52.00 Time Certain—Jeff Jarvis. Equally appropriate as an opener, closer, or anything in between, this chart with a solid swing groove will energize your band and its audiences. Time Certain is a great shuffle chart with a good-time feel and features solid ensemble writing. The melody shifts between swing eighths and triplet rhythms and the brass ranges are accessible. Open solos are provided for tenor sax, trumpet and trombone with solo sheets included. A stop-time interlude appears after the solos and leads to the full band simply swinging hard to take it on home. Highly recommended! 10999976 Jazz Ensemble . . . . . . . . . . . .52.00 The Way You Look Tonight—Jerome Kern/arr. Sammy Nestico. Sammy Nestico's interpretation of this great old tune is right on target for today's jazz ensembles, with all the class we have come to expect from this master arranger! Written in a relaxed swing style, this chart features lots of tutti ensemble writing, very melodic counter melodies, and also a wonderful sax soli. No solos required. 2259943 Jazz Ensemble . . . . . . . . . . . .50.00 Wichita Lineman—Jimmy Webb/arr. Eric Richards. Although this was a pop hit back in the late 1960s, this familiar ballad lends itself nicely for jazz ensemble treated here as a jazz waltz. Scored to feature a solo trombone, alternate solo parts are provided for B-flat and E-flat instruments for added flexibility. This terrific setting features a driving style with solid hits for the full ensemble as well as feature spots for the brass section and also the saxes. 11172096 Jazz Ensemble . . . . . . . . . . . .55.00 OUTSTANDING REFERENCE RESOURCES! Every jazz ensemble director should have these books and CD sets that are essential guides to jazz ensemble repertoire. See more jazz resources at jwpepper.com. Teaching Music Through Performance in Jazz for Beginning Ensembles—ed. Richard Miles. For the first time, this volume from the acclaimed Teaching Music Through Performance series is available for directors of beginning jazz ensembles. This edition pairs practical perspectives from world- class jazz educators and performers, who specialize in working with beginning ensembles, together with Teacher Resource Guides for more than 60 of the best jazz charts published for beginning ensembles. As in the other volumes, each resource guide includes background information on both the composer and the history of each chart, technical and stylistic considerations, a discussion of the musical elements, and measure-by-measure rehearsal suggestions for the best repertoire tailored for beginning jazz bands. Teaching Music Through Performance in Jazz for Beginning Ensembles is a truly significant resource for jazz educators and their students, and an invaluable contribution to the field of jazz education! Contributors: Ronald Carter, Roosevelt Griffin, Ben Huntoon, Brian Logan, Rob Parton, Willis Rapp, and Dean Sorenson. 10563813 Hardcover Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44.95 10629618 2-CD Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25.95 H Teaching Music Through Performance in Jazz, Vol. 1—Richard Miles & Ronald Carter. Teaching Music Through Performance in Jazz continues in the best tradition of the Teaching Music series, bringing together insights from top jazz educators and invaluable analysis of the best repertoire published for jazz ensembles of all skill levels. This book is the ideal resource for anyone seeking a deeper understanding of the preeminent music for jazz ensembles by seminal jazz composers. This 592-page book includes Teacher Resource Guides to more than 65 of the top jazz charts broken down into developing, intermediate and advanced levels. Each guide includes vital information on the composer, the composition, historical background, technical requirements, stylistic considerations, musical elements and more. Additionally, leading jazz educators and musicians contribute chapters on pertinent topics in the field of jazz education. Some of these contributors are Wynton Marsalis, Ron Carter, Ron McCurdy, Reginald Thomas and Ron Modell. This book is an essential resource for jazz leaders at all levels and a major contribution to the jazz field! 10043376 Hardcover Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43.95 10053219 3-CD Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39.50 Teaching Music Through Performance in Jazz, Vol. 2— ed. Richard Miles & Ronald Carter. This long-awaited Volume 2 of Teaching Music Through Performance in Jazz continues in the best tradition of the Teaching Music series. As in Volume 1, it brings together insights from top jazz educators and invaluable analyses of the best repertoire published for developing, intermediate and advanced jazz ensembles. Included are Teacher Resource Guides to 100 of the top jazz charts broken down by difficulty levels. Additionally, each guide includes vital information on the composer, the composition, historical background, technical requirements, stylistic considerations musical elements and more. Also featured are chapters by leading jazz educators and musicians on topics pertinent to the field of jazz education. Here is a major contribution to the genre and an essential resource for all jazz educators! Contributors: Randy Brecker, Ronald Carter, Robert Knatt, Thara Memory, and Rodney Whitaker. 10563812 Hardcover Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46.95 10629619 3-CD Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39.50 Y O U R M U S I C . O U R N E T W O R K . Y O U R M U S I C . O U R N E T W O R K . Y O U R M U S I C . O U R N E T W O R K .

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