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SACRED CONCERT & SPIRITUALS
CONCERT
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Lift Every Voice and Sing—John Rosamond
Johnson/arr. Jarrett Johnson & Alvin Chea, ed.
Michael Geiger. Stellar a cappella harmonies
shine in this song also known as the Black
national anthem. James Weldon Johnson's text
is highlighted in this modern arrangement for solo
and divisi choir with the jazz and R&B influence
that you'd expect from Take 6, of whom Chea is
a member. This original arrangement went viral on
YouTube and was nominated for a Grammy - it has
now been transcribed so that choirs everywhere
can enjoy singing this fantastic setting.
11355174 SATBB divisi . . . . . . . . . . MA 2.55
Lift Every Voice and Sing—John Rosamund
Johnson/arr. Heather Sorenson. This popular song,
often referred to as the "Black National Anthem," is
frequently chosen to celebrate important moments
in gatherings and commemorations of the African
American Civil Rights Movement. In this adaptation,
supported by vibrant gospel piano accompaniment,
Heather Sorenson and Rev. James Ward have
collaborated in an effort that highlights the
cooperation of black and white composers working
together to honor the message of social justice. A
new second verse written by Rev. Ward lifts up the
quest for diversity and equality.
11317761 SATB w/Solo. . . . . . . . . . MA 2.35
Lift Your Voice and Rejoice!—Victor C.
Johnson. Triumphant and energetic opening
and closing sections fill this original work with
syncopated momentum and brisk harmonic
development. A contrasting middle section sings
"Gaudeamus hodie" with lyrical lines in smooth
choral counterpoint before reprising to a glorious
finish. A wonderful choice to open a concert,
festival, or service!
11341685 SATB . . . . . . . . . . . . . . . ME 2.05
11341686 Three-Part Mixed
or SAB . . . . . . . . . . . . . . ME 2.05
11341687 Two-Part. . . . . . . . . . . . . ME 2.05
11346367 Multi-Song A
ccompaniment CD . . . . . . . . 44.99
The Light That Will Lead You Home—Stuart
Chapman Hill. This piece, based on an original text,
is scored for SAB voices, soloist, and piano. The
gospel style found in the keyboard keeps the piece
lively and accentuates the message that "every now
and then when the darkness falls, I can be the light
that will lead you home."
10996257 SAB . . . . . . . . . . . . . . . . ME 2.75
Like a River in My Soul—arr. Tim Osiek. The
river flows steady and calm in this beautiful
arrangement of the traditional spiritual edited by
Dan Forrest. It is impossible to ignore the underlying
intensity which rises and falls as peace, love and
joy move from river to ocean to fountain and back
again. It is accompanied by piano and is certain to
become a favorite.
10907660 SATB . . . . . . . . . . . . . . . . M 2.25
11166181 SSAA . . . . . . . . . . . . . . . . M 2.25
11166182 TTBB . . . . . . . . . . . . . . . . M 2.25
Little David, Play on Your Harp—arr. Rollo
Dilworth. This arrangement presents the traditional
spiritual with a rhythmic, vibrant gospel feel. Be
sure to consider it for a performance with combined
choirs, as the voice parts in the two editions are
designed to be compatible. Singers of all ages will
enjoy the Old Testament story of David's triumph
over the mighty giant, Goliath.
10065121 SATB . . . . . . . . . . . . . . . . M 2.25
10065125 Two-Part. . . . . . . . . . . . . . M 2.10
Little David, Play!—arr. Brad Croushorn. Here's
an upbeat setting of a traditional spiritual that is just
brimming with kinetic musical energy. Easy to teach
and well supported by the piano accompaniment,
it's a piece that builds confidence and encourages
exploration of the historical style and context.
11390842 SATB . . . . . . . . . . . . . . . ME 2.15
11390841 SAB . . . . . . . . . . . . . . . . ME 2.15
Little Wheel A-Turnin'—arr. Greg Gilpin. This
terrific arrangement of Ezekiel Saw the Wheel not
only takes the familiar spiritual into a minor key, but
also uses an ostinato in the lower voices to create
the feeling of a wheel spinning - it's very effective!
Vocal layering of harmonies, rhythmic excitement,
and a driving piano accompaniment work together
to create a choral feature that is greater than the
sum of its parts!
11164292 SATB . . . . . . . . . . . . . . . ME 2.25
3301472 Three-Part Mixed . . . . . . ME 2.25
11164293 Two-Part or Three-Part . . ME 2.25
11164294 SSA . . . . . . . . . . . . . . . . ME 2.25
11164295 TTB. . . . . . . . . . . . . . . . . ME 2.25
The Long-Expected Hour—arr. Howard Helvey.
Howard Helvey's impeccable attention to voice
leading and exquisite sense of style are on full display
in this a cappella advent anthem that sets Thomas
Campbell's text to an early American ballad tune.
11395413 SATB . . . . . . . . . . . . . . . . M 2.15
Look at the World—John Rutter. Original text
and music combine for an inspiring choral selection
that speaks reverently of the many small miracles
of nature that surround each of us. "Look at the
world, everything all around us; Look at the world,
and marvel every day..." Another masterpiece from
the vibrant pen of John Rutter. Now available is a
four-piece chamber ensemble accompaniment
that includes full score and set of parts (flute, oboe,
harp, and organ.) Compatible with the SA, SATB,
and TTBB vocal scores.
3048220 SATB/Unison. . . . . . . . . . ME 3.35
The Lord Bless You and Keep You—Peter
Lutkin. Excellent as a benediction or closing
number, this is a piece you're sure to pick up often.
May be done with or without accompaniment.
368100 SATB . . . . . . . . . . . . . . . . . E 2.10
The Lord Bless You and Keep You—John
Rutter. A tender prayer, sensitively set to music
by the incomparable John Rutter. The gentle
accompaniment and simple, lyrical voice parts
combine to create one of the sweetest pieces your
choir will ever sing! This timeless choral is now
available for SAB voices. A chamber ensemble
includes full score and a set of parts for piccolo,
oboe, harp and organ.
1422054 SATB . . . . . . . . . . . . . . . . M 3.00
10087537 SAB . . . . . . . . . . . . . . . . . M 3.00
1790880 Two-Part. . . . . . . . . . . . . ME 2.60
4807194 Instrumental Parts
for SATB Version. . . . . . . . . . 43.00
11315689 Full Score for SATB Version -
Piccolo, Oboe,
Harp & Organ . . . . . . . . . . . . 37.95
10644991 Full Score for SATB Version. . 21.50
Lord of the Dance—arr. John Rutter. With
sensitivity and flair, John Rutter has created the
consummate arrangement of this Sydney Carter
classic! In his music, John perfectly balances the
suspenseful sweep and full range of emotions that
the text exhibits. At times it is playful and dance-
like, and at other times it is very dark, gloomy, and
dramatic. Beautifully orchestrated, this Shaker
melody takes on a new character that is vivid,
colorful, and accessible to every choir.
8058549 SATB . . . . . . . . . . . . . . . ME 2.80
10305829 SAB . . . . . . . . . . . . . . . . ME 2.80
8020414 Unison . . . . . . . . . . . . . . ME 2.80
8020422 P/A CD . . . . . . . . . . . . . . . . . 29.95
8020430 Orchestration . . . . . . . . . . . . 79.75
Lord, My God, Assist Me Now—G.B. Martini/ed.
John Castellini. Originally published in 1958, this
outstanding sacred work has become a standard
in the repertoire for both school and church choirs
interested in performing serious repertoire. Texts
are in Latin and English.
1288117 SATB . . . . . . . . . . . . . . . MA 4.00
Love Lifted Me—Greg Gilpin. "When I was
down and out, love lifted me!" There has perhaps
never been a time when love was needed more
than now. This simple message, wrapped with a
solid gospel feel and fun-to-sing harmonies in the
choral lines, will surely be one that your choir will
want to share.
11393036 Three-Part Mixed . . . . . . ME 2.15
Love Will Find a Way—Rosephanye Powell. A
great new gospel song, this tune is destined to
be a hit! The title is the refrain that answers every
hardship that can come our way. Excellent energy,
colorful blue notes, and rocking rhythms are the
characteristics that make this song's meaningful
lyrics pop!
11395939 SATB . . . . . . . . . . . . . . . ME 3.35
11395927 Instrumental Parts
Bass, Drums . . . . . . . . . ME 50.00
Lux Aeterna—Christi Jones. This easy, lyrical
setting of the well-known Latin text, translated
"Light Eternal," is perfect for young treble voices.
Whether your students are ready to sing a cappella
or with accompaniment, the choice is yours in this
excellent introduction to singing in Latin.
10509971 Two-Part or SA . . . . . . . . . . E 1.50
Lux Aeterna—Michael John Trotta. Incorporating
elements of the ancient and the modern, this
stunning a cappella original presents a lush
harmonic palette with tight cluster harmonies
and a statement of the Requiem chant tune. The
peaceful, luminous quality of the work contrasts
beautifully with the driving and rhythmic Dies Irae,
both extracted from Trotta's larger work "Requiem."
A beautiful choice for concerts and services.
11372324 SATB . . . . . . . . . . . . . . . . M 2.50
Lux Aeterna Domine—Patti Drennan. Using the
traditional Latin text from the Requiem Mass, this
original setting of the symbolic prayer for light is
a beautiful journey for mixed divisi choirs. The a
cappella texture opens with a hushed quality and
layers of closer harmonies before traveling through
a more adventurous section that builds in dynamics
and intensity.
11393044 SATB divisi,
or SSAATTBB . . . . . . . . . . M 2.50
Lux Aurumque—Eric Whitacre. Upon reading
Edward Esch's poem Light and Gold, composer Eric
Whitacre was immediately struck by its genuine,
elegant simplicity. He asked the celebrated
American poet Charles Anthony Silvestri to translate
it into Latin for this seminal work for mixed choir
a cappella. A simple approach was essential to
the success of the work, and Whitacre waited
patiently for the tight harmonies to shimmer and
glow, weaving a rich choral tapestry of light and
the soft singing of angels for the newborn child. A
Christmas text, but the effect is timeless.
3281698 SATB . . . . . . . . . . . . . . . MA 2.80
10772181E SATB ePrint . . . . . . . . . . MA 1.70
2481949 Band Set & Score-
Lux Aurumque . . . . . . . . . . 125.00
Lux Beata Trinitas—Ola Gjeilo. The composer's
signature fluid style is on beautiful display in this
Latin concert work for mixed choir with piano and
oboe accompaniment. Originally designed to be
paired with Iam Sol Recedit, with which it is linked
thematically, this gorgeous work can also stand on
its own as a lovely, lyrical, and musically sensitive
piece that will bring out the best in your choir.
11392450 SATB with Oboe . . . . . . . . M 3.10
May the Road Rise to Meet You—Victor C.
Johnson. Don't miss this elegant setting of the
traditional Irish Blessing - it is beautifully melodic
and singable. With lyrical vocal lines and a gently
flowing accompaniment, it is the ideal closer for
any performance, and the optional oboe obbligato
adds warmth.
11393862 SAB . . . . . . . . . . . . . . . . ME 2.95
Medieval Gloria—Vijay Singh. This is a truly
unique and very effective selection for two-part
male or treble voices! Ideally suited as a festival
opener, processional or concert piece, this modal,
chant-like work with optional hand drum is easy
to prepare and will lend a mysterious, medieval
character to your performance! Stunning!
3024569 TB . . . . . . . . . . . . . . . . . ME 1.75
3024577 SA . . . . . . . . . . . . . . . . . ME 1.95
Mixolydian Gloria—Remel Derrick. Using the
Mixolydian scale rather than a conventional major
scale, this rhythmically charged original setting of the
Gloria text is written for the developing tenor-bass
choir and expands into three parts. With the option
to sing with or without the piano accompaniment, it
is the perfect choice for beginning choirs that want
to sound mature and polished!
11397045 TBB opt. a Cappella. . . . . ME 2.25
The Morning Trumpet—arr. Mack Wilberg. Mack
Wilberg's a cappella setting of a tune from The
Sacred Harp is strong and march-like. Highlights
include accented rhythms, percussive vocal lines,
tonal shifts, and some divisi, contributing to a
rousing overall effect.
10944742 SATB . . . . . . . . . . . . . . . ME 3.00
3304585 TTBB . . . . . . . . . . . . . . . ME 3.00
Music Down in My Soul—arr. Moses Hogan.
Premiered at the World Choral Symposium in
Minneapolis, this gospel praise song was inspired
by the spiritual Over My Head. The dynamic
piano accompaniment adds to the excitement,
making this a fantastic choral feature or concert
closer. Exuberant!
3297947 SATB . . . . . . . . . . . . . . . . M 2.25
8061470 SSA . . . . . . . . . . . . . . . . . M 2.10
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