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New Large Print Edition A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
WINTER & HOLIDAY
Blow, Blow, Thou Winter Wind—Jennifer Lucy
Cook. Treble choirs young and old will appreciate
the part-writing, repeated patterns, and icy energy
of Shakespeare's text. This piece is filled with
delightful surprises, including percussion, some
aleatoric passages, rapidly changing dance-like
meters, and a conclusion that pops.
11525375 SSA with Percussion . . . . . . . . . 3.25
The Christmas Suites (Suite 1: Journey into
Light)—arr. Taylor Scott Davis/ed. Jennaya
Robinson. The first of several suites of Christmas
carols, Suite 1 contains O Come, All Ye Faithful;
Silent Night; Go Tell It on the Mountain and
The First Noel. Suitable for advanced school,
collegiate, or church choirs; orchestrations for
full, small, or chamber orchestras are available on
rental. Duration c. 13 minutes.
11514224 SATB Choral Score
I. Journey Into Light . . . . . . . . . . 8.99
11514225 Choral Score-The Christmas Suites -
Ii. ring Out, wild Bells II. Ring Out,
Wild Bells. . . . . . . . . . . . . . . . . . . 8.99
Come, Thou Long-Expected Jesus—arr.
Dan Forrest. This exhilarating festival setting of
HYFRYDOL will quickly become a favorite opening
for your Advent or Christmas worship! Rhythmic
accents, brilliant scoring, motivic development,
optional congregational involvement, an a
cappella middle stanza, and soaring descant
will elevate your worship service. Accompany
with piano and/or organ and optional brass and
percussion. This same musical setting is also
available separately with Wesley's Love Divine,
All Loves Excelling text (#11514064).
11514061 SATB . . . . . . . . . . . . . . . . . . . . . . 2.75
Coventry Carol—arr. Barnaby Smith. This
ancient carol of lament is beautifully arranged with
unison lines and subtle harmonies that perfectly
complement the spirit of the piece. Arranged for
the VOCES8 Scholars and APOLLO5, it remains
accessible in four parts throughout.
11515626 SATB . . . . . . . . . . . . . . . . . . . . . . 3.50
First Cradle—Kyle Pederson. A poignant text
combines with a captivating melody and sonorities
to deliver a truly memorable piece for Christmas or
any time of the year. The optional cello provides
an additional texture that is very compelling. "You
will go and grow, and these arms will lift this
moment into my heart; I will carry it there."
11514302 SSA or SSAA . . . . . . . . . . . . . . . 3.00
The First Noel—arr. Martin Seiler. Alternately
accompanied by the upper and lower voices,
the solo tenor tells the story of the well-known
English Christmas carol. In a combined
effort, the refrain resounds, and after a lively
modulation everyone joins in together, rejoicing.
A beautiful contemporary a cappella rendition of
a Christmas classic!
11563119 SATB divisi, or SSAATTBB . . . . 3.70
Gaudete—arr. Philip Lawson. This traditional
carol is arranged by the former King's Singer in a
style that honors the original while bringing it into
the 21st century. Changing meter, alternating a
cappella and accompanied segments, and call-
and-response sections create a work that is a
constant surprise.
11513588 SATB . . . . . . . . . . . . . . . . . . . . . . 2.15
1615061 Octavo-Gaudete . . . . . . . . . . . . 2.35
Gift of Winter—Clark William Lawlor. With
poignant melodic lines, this piece will bring warmth
and richness to any winter concert. With each
verse set to represent a different aspect of winter,
this carol celebrates the beauty of the "healing
snow," ponders the arrival of the "longest night,"
and anticipates the joy of the coming spring.
Intermediate to advanced choirs will appreciate
the sensitive part-writing and lush harmonies.
11539631 SATB divisi, or SSAATTBB . . . . 2.95
Gloria (from "Mariazeller Messe")—Joseph
Haydn/ed. Ryan Kelly. Haydn's eighth setting of
the ordinary of the Mass was composed in 1782
for performance in Mariazell, Austria. The brief
opening portion of the Gloria has been selected
for this anthem, featuring Haydn's exuberant,
straightforward homophonic choral writing true to
the Classical period. The accompaniment is an
approachable orchestral reduction for piano with
optional trumpets and timpani. Accessible to most
ensembles, this anthem offers choirs the exciting
opportunity to sing an excerpt from a large-scale
choral work.
11515557 SATB . . . . . . . . . . . . . . . . . . . . . . 2.75
How Dark the Night—Greg Habegger/arr. Molly
Ijames. This arrangement of a relatively recent
Christmas hymn frames the nativity story in a
haunting narrative about the darkness of waiting
and the coming of Christ's light. Each stanza
explores different aspects and metaphors of the
darkness and light themes, vividly brought to life
by the musical text-painting of the setting. With
optional string orchestra and percussion.
11514062 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
I Heard the Bells—Ruth Morris Gray.
11564464 SATB w/ opt. Tubular Bells
or Chimes . . . . . . . . . . . . . . . . . . 2.20
I Too Shall Walk to Bethlehem—John Rutter.
Depicting a journey to the Bethlehem stable where
Jesus was born, this lilting original carol features
both the lower and upper voices separately
before joining together in glorious harmony. The
third verse is optionally a cappella. The carol is
accompanied with a flowing piano part or optional
orchestration.
11563790 SATB divisi . . . . . . . . . . . . . . . . . 4.00
In the Bleak Midwinter—arr. Dan Forrest. A
magical carol setting that transports the listener
into Christina Rosetti's beloved Christmas text
written in London (listen for the subtle hints of Big
Ben!). Ethereal melodic echoes eventually build to
soaring vocal lines before giving way to the tender
final stanza, "What can I give him, poor as I am?"
An intimate yet deeply moving arrangement.
11514056 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
11514057 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.50
It's Beginning to Look Like Christmas—
Meredith Willson/arr. Mark Hayes. Pull out all
the stops with this classy, sparkling arrangement
of Meredith Willson's holiday classic! Use the
marvelous piano accompaniment or the recorded
or live orchestration - either way, the effect will be
phenomenal - worthy of a television special!
11561857 SSAA. . . . . . . . . . . . . . . . . . . . . . 2.75
11561858 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.75
Love's Pure Light, Silent Night—Michael John
Trotta. This lyrical setting blends the beloved
Silent Night tune and text with a captivating new
tune, featuring an optional oboe obbligato that
gives a unique color to the piece. The result is a
fresh look at an old favorite that is both appealing
and accessible for Christmas concerts or services.
11515246 SAB . . . . . . . . . . . . . . . . . . . . . . . 3.20
Mary, Did You Know?—arr. Craig Courtney. This
popular contemporary Christmas song receives a
fresh treatment in this arrangement. An ethereal
sound is set by the use of chord clusters and an
aleatoric section. The melody is then introduced
by a soloist. Truly an exceptional setting that will
become a favorite of your choir.
11514049 SSAA. . . . . . . . . . . . . . . . . . . . . . 2.50
11514050 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.50
10
ADULT
COMMUNITY
CHOIR
Theme:
SONGS OF MARY
Mary Sat A-Rockin'—Ruth Morris Gray.
11514667 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
O Magnum Mysterium
(from Venite Adoremus)—Michael John Trotta.
11192977 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.90
Herself a Rose—Cristine Temple Evans.
10538794 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
Ave Maria—Michal Ziolkowski.
11537029 SATB divisi, or SSAATTBB . . . . . . . . 2.80
Blessed be that Maid Marie—Sean Doherty.
11519743 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
Ain't That-a Rockin'—arr. Stacey V. Gibbs.
10549023 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
And Mary Said—Larry Theiss.
11201862 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
Regina Caeli—Cecilia McDowall.
10004974 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 3.65
