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But Not for Me—George Gershwin/arr.
Scott Ragsdale. Here's a superb vocal
solo feature with big-band chart on a great
standard. The features include a vocal
range from B-flat below middle C to third
space C, a lead trumpet range to A-flat, and
the swing tempo is around 134 bpm. Make
sure to check out the written trombone solo
and the fine sax soli during the instrumental
interlude. Don't have vocalist this year? No
problem, optional featured solo parts are
included for any B-flat or E-flat instrument or
trombone. This great chart for your vocalist
is highly recommended!
10593787 Jazz Ensemble & Vocalist
(or Any Instrument) .M 54.00
Cheek to Cheek—Irving Berlin/arr. Mark
Taylor. Originally composed for the 1935
film Top Hat starring Fred Astaire and
Ginger Rogers, this classic has remained
a jazz favorite ever since. Arranged in a
very comfortable key for a female vocalist,
this swinging chart also has a marvelous
feature section for the full ensemble. One
of the greatest of the Golden Age!
11518958 Jazz Ensemble. . . ME 55.00
Christmas Time Is Here—Vince Guaraldi/
arr. Roger Holmes. Vince Guaraldi's
touching ballad from A Charlie Brown
Christmas will feel as familiar as an old
friend. This feature for vocal soloist makes
a simply wonderful addition to your holiday
concert! Vocal in C.
2470804 Jazz Ensemble
& Vocalist . . . . . . . . .M 55.00
Come Fly with Me—Jimmy Van Heusen/
arr. Quincy Jones/ed. Tomaro. The
swingin' Quincy Jones arrangement
of this standard was a Frank Sinatra
signature tune. Here's the authentic
version edited and adapted for today's
bands by Mike Tomaro. Vocal key: B-flat.
10072767 Jazz Ensemble
& Vocalist . . . . . . . MA 65.00
Crazy Little Thing Called Love (from
"Bohemian Rhapsody")—Freddie
Mercury/arr. Roger Holmes. Released
by Queen in 1979, this iconic hit adapts
beautifully for vocal soloist with jazz
ensemble, with its rollicking shuffle style
and infectious simplicity and charm. This
feel-good tune will be an instant audience
favorite! If you don't have a vocalist to
feature, there's an optional tenor sax solo
part included. Vocal key: G
10960658 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
Cry Me a River—Arthur Hamilton/arr. Victor
Lopez. Featuring a vocalist with big band,
this gorgeous ballad is played around 74
bpm. The vocal range is G below middle C
to third space C, and the lead trumpet range
is to F-sharp top line. Included are optional
solo parts for B-flat, E-flat, and Bass Clef
instruments to be used in place of the vocal
feature. It's an accessible chart for the band
and a great way to feature a vocalist or
instrumentalist!
10452150 Jazz Ensemble & Vocalist (or
Any Instrument) . . ME 57.00
Don't Know Why—Jesse Harris/arr. Paul
Murtha. Award-winning pop singer Norah
Jones made this tune climb the charts, and
it's easy to see why so many people like it.
The haunting, beautiful melody and smooth
harmonies make it an incredibly appealing
chart to use with either vocal, trumpet or
tenor sax soloist. Vocal in Bb.
2473701 Jazz Ensemble & Vocalist
(or Tenor Sax
or Flugelhorn). . . . ME 55.00
Embraceable You—George Gershwin/
arr. Dave Wolpe. Dave Wolpe has done
a masterful job with Gershwin's romantic
favorite, setting it in two keys for both male
and female vocal solo, including a lyrical
trombone feature, even building it up to a
big band shout before the lovely closing.
This will be a highlight in any performance!
Male vocal in F, female vocal in C.
2468031 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 62.00
Everybody's Waitin' for the Man with the
Bag—arr. Rick Stitzel. Composed in the
'50s, this entertaining holiday tune has been
recorded notably by Kay Starr and later by
the Brian Setzer Orchestra. For vocalist and
big band, this is a dynamic and swingin'
addition to any holiday performance! Vocal
in A-flat.
10283028 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 55.00
Everything—Buble, Chang & Foster/
arr. Scott Ragsdale. Michael Buble sang
this hit song and now it's time for your
vocal soloist and jazz ensemble. Arranger
Scott Ragsdale captured the essence of
the Buble arrangement with his terrific
adaptation at an easier level of this great
tune. The vocal range is from F below
middle C up to third space C, treble clef,
and the vocal part has some easy scat lines
with vocal syllables. Lead trumpet range is
to written A above the staff. A wonderful
chart on a neat tune!
10071937 Jazz Ensemble
& Vocalist . . . . . . . ME 57.00
Feeling Good—Leslie Bricusse &
Anthony Newley/arr. Roger Holmes. From
the Broadway musical "The Roar of the
Greasepaint - The Smell of the Crowd,"
this fabulous standard is popular again
with a stunning rendition by Michael Bublé.
Capturing the bluesy flavor of this version,
here is a vocal solo feature sure to bring
down the house. It can also be used as
an alto sax feature. Highly recommended!
Vocal in C minor.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . .M 55.00
Fever—Cooley & Blackwell/arr. Roger
Holmes. Peggy Lee made this sizzler
famous. Make sure you have enough fire
extinguishers on hand just in case. Vocal
solo in A minor. modulating to Bb minor.
2212082 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
Fly Me to the Moon—Bart Howard/arr.
Sammy Nestico. Written with comfortable
ranges and at a moderate tempo, this vocal
feature will be at home on any concert
program. Vocal in A-flat.
2249415 Jazz Ensemble
& Vocalist . . . . . . . . .M 55.00
Fly Me to the Moon—arr. Quincy Jones.
For the first time, here is Quincy Jones'
arrangement originally written for the 1964
Sinatra/Basie studio collaboration It Might
As Well Be Swing. This chart was also
used a few times during the 1965 Sinatra/
Basie summer tour and then at the famous
1966 "Live at the Sands" concert. This
publication comes from the original parts.
Alto 1 and Tenor 1 double on flute. As
was customary for these recordings, Harry
"Sweets" Edison would play fills throughout
the arrangement and typically didn't have a
part. The fill spots are in the trumpet 4 part,
although they are not written out. Vocal Key:
C. Highly recommended!
10493006 Jazz Ensemble
& Vocalist . . . . . . . MA 75.00
The Frim Fram Sauce—arr. Rick Stitzel.
This clever and catchy jazz standard has
been notably recorded by Diana Krall,
but also in the past by Nat King Cole and
Louis Armstrong. Arranged in a comfortable
swing style, this is a terrific feature for a
vocalist or tenor saxophone soloist. Highly
recommended! Vocal Key: F
10667338 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 50.00
The Girl from Ipanema—Antonio Carlos
Jobim/arr. Roger Holmes. Made famous
by Astrud Gilberto and Stan Getz, this laid
back Latin favorite features a great groove
and tasty ensemble writing to back your
singer, either male or female.
2314219 Jazz Ensemble
& Vocalist . . . . . . . . .M 55.00
God Bless the USA—Lee Greenwood/
arr. Mark Taylor. A patriotic anthem for the
ages, this contemporary ballad has already
established itself as a standard! Beautifully
scored for vocal soloist and jazz ensemble,
this arrangement makes a powerful
statement for singer and band alike. It's the
ultimate patriotic chart! Vocal in Bb.
2481657 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
Hallelujah I Love Her So—Ray Charles/
arr. Victor Lopez. Ray Charles' good-
time, happy, swingin' and infectious tune
is immortalized here by Victor Lopez as a
vocal solo feature chart with lyrics provided
to accommodate female or male vocalists.
The tempo is around 142 bpm with a
few stop-time sections, and there are no
horn solos, just a swingin' vocal part and
ensemble all the way. Optional parts are
provided as vocal substitutes for any C,
B-flat, or E-flat instruments, and trombone.
The vocal range is from B-flat below middle
C to third space B-flat. We're proud to say
this one is highly recommended!
10753965 Jazz Ensemble & Vocalist
(or Any Instrument) ME 57.00
Have Yourself a Merry Little Christmas—
arr. Dave Wolpe. This sentimental
Christmas favorite will never go out of style,
and Dave Wolpe's satisfying arrangement
is a great way to feature your vocalist during
the holidays. Vocal in G.
2188910 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . ME 55.00
Haven't Met You Yet—Buble, Chang &
Foster/arr. Scott Ragsdale. Michael Buble
sang this hit song and now it's time for your
vocal soloist and jazz ensemble! Arranger
Scott Ragsdale captured the essence of
the Buble arrangement with his terrific
adaptation of this familiar tune. The vocal
range is from F below middle C up to third
line B, and the lead trumpet range is to
written A above the staff. A wonderful chart
on a cool tune! Highly recommended!
10277798 Jazz Ensemble
& Vocalist . . . . . . . . .M 54.00
How High the Moon—Morgan Lewis/
arr. Dave Wolpe. All jazz students should
know this great tune! Dave's straight-ahead,
swingin' vocal solo feature is written in two
keys to accommodate both female and
male voices. There are also brief solos for
trombone and trumpet. The version in C has
an optional shout chorus with the ensemble.
Low vocals in C, high vocals in F.
2701962 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . .M 62.00
BEST
SELLERS
Vocal Solo
with Jazz Band
All Levels
Best Selling Charts! These selections,
listed in order of their popularity, are
chosen most often by directors like you.
Feeling Good—Leslie Bricusse &
Anthony Newley/arr. Roger Holmes.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . M 55.00
Orange Colored Sky—
Delugg & Stein/arr. Roger Holmes.
2481660 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . M 55.00
Sway (Quien Sera)—
Pablo Beltran Ruiz/arr. Mark Taylor.
10098760 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . ME 55.00
The Girl from Ipanema—
Antonio Carlos Jobim/
arr. Roger Holmes.
2314219 Jazz Ensemble
& Vocalist . . . . . . . . . M 55.00
Hallelujah I Love Her So—
Ray Charles/arr. Victor Lopez.
10753965 Jazz Ensemble & Vocalist
(or Any Instrument) ME 57.00
Vocal Solo with Jazz Ensemble | All Levels
