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141
Latin Selections | Medium
Naima—John Coltrane/arr. Craig
Skeffington. One of Coltrane's favorites
and played by jazz musicians everywhere,
this sweet bossa chart is magical. It opens
with alto 1 on the written melody, then the
sax section, followed by the brass taking
the bridge. Features include a very nice,
written tenor solo and lead trumpet range
to written B-flat above the staff. Perfect for
any jazz performance, you'll be delighted
with Naima! Highly recommended! Optional
expanded instrumentation.
10093179 Jazz Ensemble . . . . M 52.00
Off the Set!—Christopher Artau. This
dynamic Latin funk chart features the unique
color of alto sax and guitar on the main
melody. Punchy brass and soaring sax lines
add to the mix along with a fun piano part.
11615117 Jazz Ensemble . . . . M 55.00
Perdido—Juan Tizol/arr. Victor Lopez.
Mambo! Arranger Victor Lopez has
masterfully intertwined a mambo and a
swing feel in this great Juan Tizol jazz
classic. Featuring a fully notated tenor
sax solo, lead trumpet range to written
A, a brief sax soli and lots of excitement
throughout, this chart is pure fun to hear
and play! Don't be "lost", play Perdido!
Optional expanded instrumentation.
10093181 Jazz Ensemble . . . . M 52.00
Recorda Me (Remember Me)—Joe
Henderson/arr. Mike Kamuf. Joe
Henderson's familiar jazz standard is set
here in a Latin groove played at about 156
bpm. The melody is handled by tenor sax,
trumpet and guitar with written solos provided
for tenor and trumpet. A clever interlude
followed by a dynamic shout chorus with
some drum fills sets this chart apart. The
lead trumpet range is to G top of staff, and
optional parts are included for expanded
instrumentations. Truly a first-class chart!
10997200 Jazz Ensemble . . . . M 50.00
Sabor de Cuba (Taste of Cuba)—Victor
Lopez. Looking for a hot Latin chart? This
Victor Lopez original is very hot indeed.
It's an Afro-Cuban show-stopper that's
jam-packed with lines that bounce section
to section, then a suggested tenor sax
solo with backgrounds. The lead trumpet
range is to written A above the staff with
an optional high D. There are two auxiliary
percussion parts included that really make
this chart come alive, plus optional flute and
vibraphone parts. You'll want to play this
highly recommended chart!
10593777 Jazz Ensemble . . . . M 55.00
Samba del Sol—Paul Baker. Smooth,
flowing character and an easygoing
samba feel support this jazz ensemble
chart carried by melodic writing for alto sax
and trumpet or flugel. Optional auxiliary
percussion and electric piano add color,
while written solos and fully notated
rhythm parts support student confidence.
A relaxed, sunny selection that highlights
style, phrasing, and ensemble interaction
while keeping preparation approachable
and musically rewarding.
11684565 Jazz Ensemble . . . . M 50.00
Smile—Charlie Chaplin/arr. Debra
Stempien & Gregory Turner. Charlie
Chaplin's classic song is arranged as a
Latin jazz chart featuring the full ensemble.
Chaplin's original harmonies have been
enhanced with upper extensions and
substitutions. The melody floats between
the sections throughout, including a pass
as an orchestral piano solo. Parts are
included for congas and maracas, and
additional Latin percussion can be added at
the discretion of the director.
11686197 Jazz Ensemble . . . . M 52.00
Spain—Chick Corea/arr. Paul Jennings. This
masterful arrangement from 1982 has stood
the test of time and sounds as fresh today
as it did when it was written. The authentic
sound of Chick Corea's classic is faithfully
captured – and this edition, notated in cut
time rather than 4/4, makes it much easier
to read. A real gem for every jazz ensemble!
2101111 Jazz Ensemble . . . . M 55.00
This Masquerade—Leonn Russel/arr.
Mark Taylor. This fresh bossa setting of
Leon Russell's classic #1 hit prominently
features your lead trombone player as a
soloist as well as the sax section. The solo
section cleverly breaks into a samba with
a double-time feel, then transitions back for
the ending. Lead trumpet plays high B-flat,
and lead bone plays high G.
11617948 Jazz Ensemble . . . . M 55.00
Three Little Words—Harry Ruby/arr. Dan
Kramlich. Latin samba energy reshapes this
familiar jazz standard in this flex arrangement
that works as a combo or ensemble chart.
Syncopated figures give the groove its
distinct character, while a piano montuno and
interlude add stylistic color. The return of the
melody at the bridge creates a clear musical
arc – a fresh choice for teaching Latin feel at
the high school level.
11685309 Jazz Ensemble . . . . M 45.00
Trofeo de Bolos—Craig Skeffington.
Rehearse and program this clever and
interesting Latin chart with a mesmerizing
melody and infectious mambo style and
hear your band take off! It features a
written solo for 1st alto sax, lead trumpet
range to A above the staff, a stop-time
ensemble section and an open drumset/
percussion solo. If you can keep your
musicians in their seats to play this, it will
make your audiences want to dance in the
aisles! Highly recommended!
10028159 Jazz Ensemble . . . . M 52.00
Viva Morales—Joel Kaye/arr. Rich
Woolworth. An exciting up-tempo Latin
scorcher for high school jazz ensembles
– the thrills are nonstop as the augmented
rhythm section churns out an intense
foundation for saxophone and trumpet
melodies. There are written or improvised
solos for alto, trumpet, and tenor, followed by
call and response between the horns and the
drums. The piece comes to an unexpectedly
beautiful choral finish. Put this fiery samba in
front of your band and feel the burn!
11686044 Jazz Ensemble . . . . M 55.00
Wave—Antonio Carlos Jobim/arr. Michael
Mossman. Here's one of the most tuneful of
Jobim's many familiar Latin standards in a
marvelous setting featuring a baritone sax
soloist. The style is a laid-back Latin groove
and the arrangement includes a wealth of
creative harmonic and textural devices. To
round things out, it also includes a sax soli
and a lush tutti ensemble chorus. A great
way to feature your bari sax soloist!
10052523 Jazz Ensemble . . . . M 55.00
American Patrol—arr. Mike Lewis.
Glenn Miller's band made this a huge hit in World
War II. Here it's scored for young players, with no
individual solos, very modest brass ranges, and
plenty of ensemble sound. Easy to rehearse and
perform, it swings right along and is playable with
optional reduced or expanded instrumentation.
A winner!
10028059 Jazz Ensemble . . . . . . . . . . . . .E 42.00
Battle Hymn of the Republic—
arr. Mike Kamuf. Wow! This terrific swing chart is
inspired by the iconic Clark Terry version featuring
two trumpets with plungers. Played around 112
bpm, it has sample solos provided for tenor 1 and
trumpet 2, a hot sax soli, and a stop-time shout
chorus with bari sax setting the groove. Check this
fine chart out! (4:35)
11570897 Jazz Ensemble . . . . . . . . . . . ME 52.00
Battle Hymn of the Republic—William Steffe,
Julia Ward Howe /arr. Bryan Kidd. Patriotism
"cooks" in this infectious, bluesy shuffle. All ensemble
with the whole band working together to produce a
determined, yet happy and swinging performance
including a kickin' sax soli and hot shout chorus.
11313813 Jazz Ensemble . . . . . . . . . . . . M 50.00
God Bless the USA—Lee Greenwood/
arr. Mark Taylor. A patriotic anthem for the ages,
this contemporary ballad has already established
itself as a standard! Beautifully scored for vocal
soloist and jazz ensemble, this arrangement makes
a powerful statement for singer and band alike. It's
the ultimate patriotic chart! Vocal in Bb.
2481657 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . . . ME 55.00
Jazz Superset No. 5: The Patriotic
Collection—arr. Mike Lewis. Every jazz
ensemble should have this wonderful patriotic
collection in their library! Mike Lewis offers complete
arrangements of our nation's most familiar songs
in stirring arrangements useful for a variety of
performance needs. Titles include: America;
America The Beautiful; The Star Spangled Banner
(with optional lyric sheet); The Battle Hymn Of The
Republic; God Bless The U.S.A. and American
Patrol. Very highly recommended!
2471393 Jazz Ensemble . . . . . . . . . . . ME 60.00
The Star-Spangled Banner—
arr. Rich Woolworth. This is a functional utility
arrangement of the United States' national anthem.
Suitable for special events, this familiar melody has
been arranged with altered chords to give it a jazz
feel while staying respectful of the source material.
11572330 Jazz Ensemble . . . . . . . . . . . ME 55.00
PATRIOTIC
JAZZ CHARTS
Perfect for those special moments in community
events, school programs and more!
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