4Editors' Choice (Best of 2016 Publications) lNew for 2016 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
34
jazz
ensemble
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Big Band Standards
n Stompin' at the Savoyarr. Greg Yasinitsky.
After the initial statement, Greg Yasinitsky gives
this Benny Goodman treasure an updated and
contemporary flair while remaining true to the
original. It's all there in this exciting chart... nice
dynamic contrasts, a stop-time section, a sax
section soli, ensemble interludes, a written or
improvised trumpet 2 solo, and it's all played
around 168 bpm. The lead trumpet range is to
written B-flat above the staff and optional parts are
included for expanded instrumentations. Solid with
proven appeal!
10513990 Jazz Ensemble . . . . . . . M 52.00
Stompin' at the SavoyBenny Goodman/arr.
Mike Lewis. Feature your bass player! Arranger
Mike Lewis has taken this classic Benny Goodman
swing tune and turned it into an easy, melodic
showcase for the bass. Mike also provides solo
space with written solos for 1st tenor sax and piano.
The brass ranges are modest and the chart really
swings from beginning to end! Don't let the year go
by without playing this one that sounds great with
electric or acoustic bass. Superb chart!
2702807 Jazz Ensemble . . . . . . ME 48.00
l Stomping at the Savoy (Edited Version)arr.
Bill Holman. If there is one chart that seems to
capture the essence of Stan Kenton's mid-fifties
bands, this is the one! The chart swings like
mad from downbeat to the end. This is one of Bill
Holman's best early charts, with great ensemble
sections and great solo spaces for guitar or
piano, bass, trumpet, and tenor saxophone. This
is very sophisticated music included on arguably
the best album the Kenton band ever recorded,
Contemporary Concepts. This edited version of
Stomping at the Savoy is the same as the original
except it is written for eight brass instead of ten.
10607241 Jazz Ensemble . . . . . . . . A 60.00
String of PearlsJerry Gray/arr. Mike Lewis.
Arranger Mike Lewis has taken this swinging Glenn
Miller hit and arranged it for easy jazz ensemble.
His clever reworking of the solo sections and the
descending harmony line makes this chart very
playable for the young jazz musician. The trumpet
1 range is to written F top line and it features
instrumentation options from 9 to 19 players. This
is one of the ultimate crowd pleasers and it's ideal
for any performance!
10049681 Jazz Ensemble . . . . . . . . E 42.00
n Take the 'A' Train (Original Version)Billy
Strayhorn/trans. David Berger. This very special,
historic publication is an exact transcription of the
1941 version recorded by Duke Ellington. David
Berger's expertise is evident in the completely voiced
rhythm parts and written out solos. This classic
belongs in every jazz ensemble library everywhere!
2237790 Jazz Ensemble . . . . . . . M 50.00
Take the 'A' TrainBilly Strayhorn/arr. Alan
Baylock. Think of Take the "A" Train with a
contemporary flair and you have the idea behind
this inventive chart by Alan Baylock. Opening in a
swing groove then alternating with a funk feel, bari
sax, bass trombone, guitar and bass have the initial
melodic statement in this terrific chart. Solo space
is available for alto sax 1, trombone 1, bari sax and
trumpet 2 and the lead trumpet range is to written
D above the staff. A modern yet superb chart of a
tune everyone knows. Festival material!
10071911 Jazz Ensemble . . . . . . MA 60.00
H
Take the 'A' TrainBilly Strayhorn/arr. Vince
Gassi. This chart swings all the way and is very
playable by a young jazz ensemble. Arranger
Vince Gassi offers a fresh take on this classic, yet
captures the essence of this well-known Strayhorn
composition made famous by Ellington. It's scored
exactly right for younger players... not too difficult
but with fun-to-play parts. With brief written solos
for 1st alto sax and 1st trumpet, and easy ranges,
it also has plenty of dynamics to teach. A superb
chart you will play for years to come! Optional
reduced or expanded instrumentation.
10066743 Jazz Ensemble . . . . . . . . E 42.00
n Things Ain't What They Used to BeMercer
Ellington/arr. Alan Baylock. Mercer Ellington's
classic blues shuffle gets the Baylock
treatment! The style is down home and the
solos are for alto, trumpet, trombone, and tenor
sax. Also included is a powerful Baylock-style
shout chorus and optional parts for expanded
instrumentations. It's a fun chart and it gets our
highest recommendation!
10513911 Jazz Ensemble . . . . . . . M 52.00
n Things Ain't What They Used to BeMercer
Ellington/arr. Rich Sigler. This is a jazz classic that
every band should have in their library. The chart
is a swing shuffle played at around 116 bpm and
has a very familiar and catchy melody that flows
smoothly from section to section. Also featured
are written out solos for alto sax 1 and trumpet 2
and a lead trumpet range to written F-sharp top
line. Optional parts are included for expanded
instrumentation. A superb arrangement that is
clever and effective in every way!
10355626 Jazz Ensemble . . . . . . ME 48.00
Whirly BirdNeal Hefti/arr. Peter Blair. You may
have heard Basie's band play this great Neal Hefti
swinger, but this version is very accessible for
younger players at around 166 bpm. The features
include a written alto sax solo, a great sax soli, and
well-notated rhythm section parts. Includes optional
wind and vibes part, too!
10452088 Jazz Ensemble . . . . . . ME 48.00
RHYTHM SECTION
RESOURCES
FOR DRUMMERS
Advanced Techniques for the Modern Drummer
(Coordinated Independence as Applied to Jazz
and Bebop)—Jim Chapin.
Written by renowned
teacher Jim Chapin, this classic jazz independence book
teaches coordination, sticking, speed and endurance and
now comes with two CDs. A great resource for both the
beginner and the more advanced drummer.
5975894 Drum Set Book/2 CDs . . . . . . . . . . . . . .24.99
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Alfred's Beginning Drum Set Method—
Sandy Feldstein & Dave Black.
This innovative,
practical approach to playing the drumset captures
students' interest from the first lesson, when they play an
actual beat! All of the beats presented can be used in an
actual performance situation. The book is divided into two
sections - Rock and Jazz. Each section covers the use of
hi-hat, ride cymbal, snare drum and bass drum. With the
help of the CD recording, the student can follow the book
while hearing each of the beats played. It also includes
three actual arrangements, two in a rock style, the other
in jazz, allowing the drummer to have the experience of
actually playing with a group!
2234961 Drum Set Book. . . . . . . . . . . . . . . . . . . . .9.99
5520986 Drum Set Book/CD . . . . . . . . . . . . . . . .19.99
5990992 Drum Set Book/DVD . . . . . . . . . . . . . . .19.99
5990993 Drum Set DVD . . . . . . . . . . . . . . . . . . . .19.95
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The Art of Bop Drumming—John Riley.
The definitive book on bop drumming! This comprehensive
book covers time playing, comping, soloing, and brushes,
with great tips on musicality and insightful quotes from
some of the greatest bop drummers. Also includes play-
along CD with charts and demonstrated musical examples.
5332267 Drum Set Book/CD . . . . . . . . . . . . . . . .25.99
Big Band Drumming at First Sight—Steve Fidyk.
With Big Band Drumming at First Sight, Steve Fidyk offers
a comprehensive approach to improve sight-reading skills
in a big band setting. With advice on how to accompany
different musical forms and playing styles, Fidyk gives
detailed information that will strengthen your ability to
recognize band figures and beat patterns quickly and
easily. The companion play-along MP3 CD features
10 arrangements of varying style with beat and figure
examples extracted from each score that are "looped"
or repeated several times for thorough study. Big Band
Drumming at First Sight will be an invaluable tool in helping
you to become a better sight-reader! Read, listen, study,
and learn through Steve's experience on what it takes to
look at a drumset part once, and know how to deliver the
musical goods with confidence!
10290544 Drum Set Book/CD . . . . . . . . . . . . . . . .19.99
Drum Set Essentials Vol. 1—Peter Erskine/
ed. Morris.
A great introduction to fundamental drumset
technique, the first volume in this series by world-
renowned drummer Peter Erskine addresses hand and
foot technique, musicality and elementary beats. Whether
you're a beginner or an accomplished drummer, Peter's
basic rules are sure to improve your skills. The CD contains
examples of many of the written exercises for listening and
play-along use.
5973624 Drum Set Book/CD . . . . . . . . . . . . . . . .19.99
l
Drummer's Guide to Big Band—Garey Williams.
Playing in a big band is one of the most complex and
nuanced jobs that a drummer faces. Garey Williams'
book Drummer's Guide to Big Band sets out a highly
organized game plan for tackling the demands of
the big-band drum chair. In addition to a thorough
explanation of charts, grooves, song forms, set-ups, and
other figures, the book includes a multimedia disc with
both video and audio examples.
10533171 Drum Set Book with MP3/Video disc. . .14.99
Essential Drum Fills—Peter Erskine.
Essential Drum Fills is a collection of fills that renowned
drummer Peter Erskine has enjoyed hearing and/or playing
over the years. The book includes over 500 drum fills
in a variety of styles and ensembles, as well as multiple
examples, transcriptions and drum charts. An enhanced
CD with demonstrations, play-alongs and music pdf files
is also included. No set player should be without this book
and CD!
10058082 Drum Set Book/Enhanced CD . . . . . . . .15.99
l
Hal Leonard Drumset Fills—John Calarco.
While many of the 500 patterns in this book can be applied
to just about any musical style, the author has grouped
the fills into the specific genres in which they would
likely appear. Styles include rock, jazz, funk, country,
blues, reggae, gospel, fusion and odd times. The book
has easy fills for the beginner and works its way through
intermediate and advanced. A fantastic resource for
improv development!
10559257 Drum Set Book
with Online Audio Access . . . . . . . . . . .16.99
How to Play Drums in a Big Band—
Rich Thompson.
Improvisation is at the heart of jazz,
but knowing how to play stylistically correct in a large jazz
ensemble is also a necessity. The books in this series
provide tips, suggestions, examples and a play-along
CD to help students become more aware of the stylistic
nuances and the roles that different instruments play as
a member of a large jazz ensemble. This book is one in a
series of seven that deals with this important subject. A
useful tool in the development of any big band drummer!
10162105 Drum Set Book/CD . . . . . . . . . . . . . . . .27.95
4
Jazz Drumming (How to Apply Your Vocabulary
to the Drum Kit in a Musical Fashion)—
Donny Gruendler.
Jazz Drumming is designed to help
today's rock, pop, and R&B drummer learn the jazz idiom
quickly and efficiently. It is an inclusive and in-depth study
of how to authentically perform alongside a rhythm section
within popular jazz styles and forms. This package includes
a set of detailed charts, and each composition focuses on
a particular musical form, drum set sound, solo concept,
and comping approach. Genre relevant, drum set-based
rudimental voicings, solo transcriptions, and simple brush
patterns are also presented. Audio examples and play-
alongs are available with online access. After completing
this study, drummers will be able to perform within a jazz
ensemble and sound like they belong there!
10547460 Drum Set Book
with Online Audio Access . . . . . . . . . . .19.99
H
Studio and Big Band Drumming—Steve Houghton.
A great guide for today's drummer on reading studio
and big band charts in classic and contemporary styles!
Demonstrates setting up common figures and ensemble
passages, and includes a bibliography and discography.
Students get realistic experience playing the charts with the
band on the enclosed CDs.
2150118 Drum Set Book/CD . . . . . . . . . . . . . . . .25.00
