4Editors' Choice (Best of 2016 Publications) lNew for 2016 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
48
jazz
ensemble
Go to cart
Jazz Ensemble with Vocal Solo
H EverythingBuble, Chang & Foster/arr. Scott
Ragsdale. Michael Buble sang this hit song
and now it's time for your vocal soloist and jazz
ensemble. Arranger Scott Ragsdale captured the
essence of the Buble arrangement with his terrific
adaptation at an easier level of this great tune. The
vocal range is from F below middle C up to third
space C, treble clef, and the vocal part has some
easy scat lines with vocal syllables. Lead trumpet
range is to written A above the staff. A wonderful
chart on a neat tune!
10071937 Jazz Ensemble
& Vocalist . . . . . . . . . ME 54.00
Fascinating RhythmGeorge Gershwin/arr.
Dave Wolpe. Here's a great Dave Wolpe vocal
chart! It features a samba treatment of this iconic
Gershwin classic, and the vocal range is G below
the staff to middle line B. With great wind parts,
a lead trumpet range to written A, and a tempo
around 104 bpm in cut time, this is an excellent
arrangement. Also included is an optional tenor sax
solo part to be used in place of the vocal solo.
10452148 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
H Feeling GoodBricusse & Newley/arr. Roger
Holmes. From the Broadway musical "The Roar
of the Greasepaint - The Smell of the Crowd," this
fabulous standard is popular again with a stunning
rendition by Michael Buble. Capturing the bluesy
flavor of this version, here is a vocal solo feature
sure to bring down the house. It can also be used
as a tenor sax feature. Highly recommended! Vocal
in C minor.
10297513 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H FeverCooley & Blackwell/arr. Roger Holmes.
Peggy Lee made this sizzler famous. Make sure
you have enough fire extinguishers on hand just in
case. Vocal in A minor/C minor.
2212082 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
H Fly Me to the MoonBart Howard/arr. Sammy
Nestico. Written with comfortable ranges and at a
moderate tempo, this vocal feature will be at home
on any concert. Vocal in Ab.
2249415 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
n Fly Me to the Moonarr. Quincy Jones. For
the first time, here is Quincy Jones' arrangement
originally written for the 1964 Sinatra/Basie studio
collaboration It Might As Well Be Swing. This chart
was also used a few times during the 1965 Sinatra/
Basie summer tour and then at the famous 1966
"Live at the Sands" concert. This publication comes
from the original parts. Alto 1 and Tenor 1 double
on flute. As was customary for these recordings,
Harry "Sweets" Edison would play fills throughout
the arrangement and typically didn't have a part. The
fill spots are in the trumpet 4 part, although they are
not written out. Vocal Key: C. Highly recommended!
10493006 Jazz Ensemble
& Vocalist . . . . . . . . . MA 65.00
A Foggy Day (In London Town)George
Gershwin/arr. Scott Ragsdale. Arranger Scott
Ragsdale nailed this swing chart styled after the
Michael Buble version! It's set at about 148 bpm
in a swing style, in the key of B-flat modulating to
C, with a vocal range from F below middle C to 3rd
space C, treble clef. The lead trumpet range is to
written A above the staff and there are optional solo
instrumental parts for B-flat, E-flat and bass clef
instruments in lieu of the vocal. This is an excellent
chart on a great Gershwin standard!
10355566 Jazz Ensemble & Vocalist
or Solo Instrument . . . . M 54.00
n The Girl from IpanemaAntonio Carlos Jobim/
arr. Roger Holmes. Made famous by Astrud Gilberto
and Stan Getz, this laid back Latin favorite features
a great groove and tasty ensemble writing to back
your singer, either male or female.
2314219 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
n God Bless the USALee Greenwood/arr.
Mark Taylor. A patriotic anthem for the ages, this
contemporary ballad has already established itself
as a standard! Beautifully scored for vocal soloist
and jazz ensemble, this arrangement makes a
powerful statement for singer and band alike. It's
the ultimate patriotic chart! Vocal in Bb.
2481657 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
Have Yourself a Merry Little Christmasarr.
Dave Wolpe. This sentimental Christmas favorite
will never go out of style, and Dave Wolpe's
satisfying arrangement is a great way to feature
your vocalist during the holidays. Vocal in G.
2188910 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 48.00
H
Haven't Met You YetBuble, Chang & Foster/arr.
Scott Ragsdale. Michael Buble sang this hit song and
now it's time for your vocal soloist and jazz ensemble!
Arranger Scott Ragsdale captured the essence of the
Buble arrangement with his terrific adaptation of this
familiar tune. The vocal range is from F below middle
C up to third line B, and the lead trumpet range is to
written A above the staff. A wonderful chart on a cool
tune! Highly recommended!
10277798 Jazz Ensemble
& Vocalist . . . . . . . . . . M 54.00
4 Helloarr. Paul Murtha. Adele's chart-topping
song of the year is skillfully arranged here by Paul
Murtha as a power ballad for jazz ensemble and
vocalist. This superb setting can also be used as
a feature for an alto saxophone soloist rather than
a vocalist. Beautifully paced, it begins with only a
piano accompaniment then gradually builds in
intensity as the full band layers in. This artful and
outstanding solo feature is highly recommended
and not to be missed! Vocal key: F minor
10606773 Jazz Ensemble & Vocalist opt.
Alto Sax Solo . . . . . . . ME 50.00
n Here's to Lifearr. Mark Taylor. From the
recording by Shirley Horn in 1992, this wonderful
ballad went on to become her signature song. This
version for vocalist with jazz ensemble is a touching
and sensitive tune for any soloist. In the event a
vocalist is not available, an optional tenor sax solo
part is included.
10522924 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
How High the MoonMorgan Lewis/arr. Dave
Wolpe. All jazz students should know this great
tune! Dave's straight-ahead, swingin' vocal solo
feature is written in two keys to accommodate both
female and male voices. There are also brief solos
for trombone and trumpet. The version in C has
an optional shout chorus with the ensemble. Low
vocals in C, high vocals in F.
2701962 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
I Can't Believe that You're in Love with Me
Jimmy McHugh/arr. Darmon Meader. Feature
your vocal quartet or SATB vocal ensemble with
your jazz ensemble! Plus, this chart also includes
an additional part for vocal soloist if you prefer. A
medium-swing arrangement by Darmon Meader,
the musical director and chief arranger of the
sensational jazz vocal group, The New York Voices,
this was arranged for them with jazz ensemble. The
solo vocal range is from G below middle C up to F
top line, treble clef. The lead trumpet range is to
high D above the staff. Jazz vocal quartets/groups
are happening!
10069098 Jazz Ensem & Vocal Group
or Vocal Solo . . . . . . . MA 62.00
n I Can't Give You Anything But Lovearr. Mark
Taylor. Penned by Jimmy McHugh and Dorothy
Fields and first introduced in 1928, this familiar
song has gone on to become one of the most
recorded standards of all time, including recently
by Tony Bennett with Lady Gaga. It can also be
performed as a tenor sax solo as a substitution for
the vocal solo. This swinging version for vocalist
with jazz ensemble will light up any occasion! Vocal
in B-flat.
10523754 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
I Could Write a BookRichard Rodgers/
arr. Darmon Meader. Have a jazz vocal group or
quartet? Here is a stunning chart arranged by
Darmon Meader, the musical director and chief
arranger of the jazz vocal group New York Voices.
This stellar tune is scored for SATB voices and jazz
ensemble. Also included are female or male solo
parts in the event you want to perform it as a vocal
solo feature. The vocal group arrangement and the
jazz ensemble chart are both superb. Solo vocal
ranges: female part is G below middle C to top
space E; male part is D below middle C to G above
treble staff. Check out this outstanding chart!
Highly recommended!
10049782 Jazz Ensem & Vocal Group
or Vocal Solo . . . . . . . MA 62.00
I Get a Kick Out of YouCole Porter/arr. Dave
Wolpe. Here's a staple of every jazz singer's
repertoire! Arranger Dave Wolpe delivers another
great chart with plenty of musical space for the
vocalist. He knows how to arrange better than just
about anyone for vocal with big band. This chart
proves it with perfect ensemble writing, an alto sax
solo and two key choices for vocalist flexibility. It
includes two scores and reversible parts...just flip
the page for the key that suits your vocalist. Vocal
solo ranges in two keys: female key (low) key of Bb,
G below middle C to 3rd space C; male key (high)
of Eb, middle C to top line F, treble clef. You'll get a
kick out of this chart!
10049776 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
I Just Called to Say I Love YouStevie Wonder/
arr. Michael Mossman. Originally recorded in 1984
by Stevie Wonder, here is a smooth version in a
cha-cha style that provides a very appealing setting
for vocalist. Mossman uses some harmonic twists
and turns, interesting and creative background
figures, and includes solo space for trumpet. Vocal
in B-flat.
10427394 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
I Thought About Youarr. Mark Taylor. This
tuneful Jimmy Van Heusen and Johnny Mercer
ballad from 1939 has remained popular through
the years and is a particular favorite among jazz
musicians. Beautifully set for vocalist and jazz
ensemble in a medium swing style, Mark Taylor
places just the right background lines in just the
right places. This may also be used as a tenor sax
solo feature. Vocal in B-flat.
10461360 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
n I've Got You Under My Skin (from Live at the
Sands)Cole Porter/arr. Quincy Jones. Now for
the first time in print, this publication is based on
Nelson Riddle's original set of parts used by Frank
Sinatra for the 1956 session with Quincy Jones'
modifications for the Live at the the Sands album.
This arrangement follows Riddle's very closely,
but there are no saxophone doubles, and Jones'
adaptation places the original string parts in the
saxophone section. Also included is the big full
ensemble section with the famous trombone solo
before returning to the chorus. No chart says
"Sinatra" like this one! Highly recommended!
10517479 Jazz Ensemble
& Vocalist . . . . . . . . . MA 65.00
n I've Got You Under My SkinCole Porter/arr.
Dave Wolpe. Dave Wolpe delivers a classic swing
vocal feature chart in the Sinatra style. Arranged
in two keys for flexibility, this one features a full
band interlude in the middle and a trombone solo
in the shout chorus. High key is Eb (range is Bb
below middle C to top line F), low key is Bb (range
is F below middle C to third line Bb). There is an
alternate tenor saxophone solo part included that
substitutes for the vocal solo. Highly recommended!
10028161 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
H It Don't Mean a Thing (If It Ain't Got That Swing)
Duke Ellington/arr. Victor Lopez. Swingin' and
singin' with big band! This vocal feature chart
with a hard swing feel practically plays itself. The
key is F minor, the vocal range is middle C to 3rd
space C, and the lead trumpet range is to written
F top line. The solo space is for tenor, trombone,
alto, and trumpet, or optional vocal scat, all
written out. It's Ellington, it's Lopez, it's great!
Highly recommended!
10310223 Jazz Ensemble
& Vocalist . . . . . . . . . ME 54.00
It Had Better Be Tonight (from "The Pink
Panther")Henry Mancini/arr. Scott Ragsdale.
Here is a great vocal feature chart on this Henry
Mancini favorite! Scott Ragsdale gives it a samba
treatment with the vocal range of G below the
staff to middle line B. With great horn parts, a lead
trumpet range to written A and a tempo around 104
bpm in cut time, this is an outstanding vocal chart.
Optional solo parts are included for B-flat, E-flat and
Bass Clef instruments to be used in place of the
vocal solo part.
10452142 Jazz Ensemble & Vocalist or
Any Solo Instrument . . . M 54.00
It Had Better Be Tonight (from "The Pink
Panther")Henry Mancini/arr. Mark Taylor.
Originally composed for the 1963 film "The Pink
Panther," this unique tune has enjoyed renewed
popularity thanks to the energetic samba version
recorded by Michael Buble. This one is fun for
vocalist and band! Vocal in G minor/A minor.
10283014 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
n It's Only a Paper MoonHarold Arlen/arr. Jerry
Nowak. Natalie Cole's Unforgettable album met
with incredible popularity and acclaim, and this
great old standard is hot! Jerry Nowak's solid,
medium swing chart cooks all the way, and is a
fantastic feature for your vocal soloist! Vocal in Eb.
2262590 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
H Jingle Bellsarr. John Clayton. Adapted from
the chart he did for Diana Krall, and recorded with
the Clayton-Hamilton Jazz Orchestra on her CD
Christmas Songs, here is John Clayton's joyous,
up-tempo swing chart on this holiday favorite.
These jinglin' bells never sounded so good! Vocal
in Bb.
10052515 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
Just FriendsJohn Klenner/arr. Dave Wolpe.
Dave Wolpe's superb chart on this great jazz
standard is for vocalist and jazz ensemble and it
is arranged in two keys for flexibility. The low key
is C and the high key is F...just flip the page for
the preferred key! In addition, an optional part is
provided for tenor sax as an alternative to the vocal.
A terrific stop-time sax soli and a jazz solo for 2nd
trumpet are more highlights of this swinger. The
low key vocal range is Gb below middle C to second
space A. The high key range is B below middle C to
fourth line D treble clef. A great vocal feature that
swings all the way home!
10028165 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 65.00
"
JW Pepper customer
service rocks!"
— Jeff Dent, Middle School Band Director
Jersey Shore, PA
