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Jazz Ensemble with Vocal Solo
The Lady Is a TrampRichard Rodgers/arr.
Mark Taylor. Made popular recently thanks to a
recording by Tony Bennett and Lady Gaga on the
Duets II album, this wonderful jazz standard from
the '30s has also been featured on the TV show
Glee. This up-tempo swing chart can be used as a
vocal solo, duet, or as a feature for tenor sax. Vocal
in B-flat.
10297510 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
n Let It Snow! Let It Snow! Let It Snow!Jule
Styne/arr. Roger Holmes. With the vocal part in the
key of Db and modualting to the key of Eb, this great
holiday standard works super in a swing feel and is
a perfect choice for your holiday concert!
2249704 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
n Let's Call the Whole Thing OffGeorge
Gershwin/arr. Nelson Riddle. This is one of a series
of arrangements written by Nelson Riddle for Ella
Fitzgerald focusing on the Gershwin songbook.
This arrangement of the classic Let's Call the
Whole Thing Off features a rubato introduction with
vocalist and guitar before breaking into the melody
in a medium swing setting. This chart includes
only one trumpet with the part being just a soloist
behind the vocals, though the part is largely written
out. The melody, clever lyrics, and outstanding
arrangement make this a chart you must have!
Vocal in B-flat.
10458208 Jazz Ensemble
& Vocalist . . . . . . . . . . M 65.00
n The Look of LoveBurt Bacharach/arr. Mark
Taylor. This well-known Latin classic has been
recorded by many jazz artists and lends itself to
an easy relaxed feel. Written in a very comfortable
range for vocalist, this exceptional chart by Mark
Taylor will be a joy to perform. Vocal in C minor.
2476956 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
Love Is Here to StayGeorge Gershwin/arr.
Dave Wolpe. Here's a superb Gershwin tune in a
really great chart for your band and vocal soloist!
Arranged in two keys, this flexible chart is offered
in the key of Bb for a female vocalist, and Eb for a
male vocalist. Just flip the page to play the key you
need. A classic! Vocals in Bb or Eb.
2472231 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 62.00
4 Lover, Come Back to Mearr. Mark Taylor. This
familiar Oscar Hammerstein and Sigmund Romberg
standard, first popular in the 1920's and 30's, has
been revisited over the years in a variety of styles.
Here is an attractive and smooth samba version for
vocal or optional tenor saxophone solo that includes
a feature section for the saxes accompanied by the
soloist in a "vocalese" style. A marvelous change-
of-pace for any performance! Vocal key: B-flat
10617892 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
l Luck Be a Ladyarr. Billy May & Quincy Jones.
Among the many arrangements that have been
frequently requested by singers and enthusiasts,
the music written for Frank Sinatra and the Count
Basie Orchestra is high on the list. This original
version was arranged by Billy May and later adapted
by Quincy Jones. The primary difference is that the
Jones version eliminated the string parts. Beginning
with the verse slowly and freely stated, it blasts
into a swing style at around 200 bpm. The only
instrumental solo is alto saxophone filling behind the
vocalist in the first chorus. With the ensemble wailing
at its best, this is a must-have! Highly recommended!
10607196 Jazz Ensemble & Vocalist
Male Vocal . . . . . . . . . . . A 65.00
H
Lullaby of BroadwayHarry Warren/arr. Dave
Wolpe. This makes a great vocal group feature!
With parts provided for SATB, SSAA or solo vocalist,
it offers plenty of flexibility as well as good old-
fashioned swinging fun! A real gem!
2472233 Jazz Ensem & Vocal Group
or Vocal Solo . . . . . . . ME 62.00
Mack the KnifeKurt Weill/arr. Dave Wolpe.
Look out, old Mackie is back! This fabulous vocal
chart modulates four times, up a half-step each
time and has a written tenor sax solo and a big
shout chorus. Arranged in two keys, the high key
begins in B-flat and the vocal range is from middle
C to F top line, treble clef. The low key begins in
E-flat and the range is from low F below middle C
to B-flat, second space. A "must-have" vocal chart!
Highly recommended!
10277802 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
My Funny ValentineRichard Rodgers/arr.
Dave Wolpe. Here's a wonderful ballad for solo
vocalist and jazz ensemble arranged in two keys
for flexibility. Arranger Dave Wolpe, one of the best
in the business, has written this swing ballad in G
minor and C minor with reversible parts, just flip
the page! There are no individual solos, but plenty
of superb ensemble work and the usual, excellent
band chorus in the middle. The vocal ranges
are: low key, G below middle C to third line Bb
and, high key: middle C to fourth space Eb. This
just may be the ultimate jazz ballad, done here
in another great Wolpe arrangement! Very highly
recommended! Vocal in G minor or C minor.
2480791 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
l Nice 'n' Easyarr. Nelson Riddle. Here is the
brilliant title track from Frank Sinatra's 1960 Capitol
album. Arranged by Nelson Riddle, this publication
has been prepared from the original set of parts
and is not a transcription. Featuring all the signature
Riddle techniques, this chart swings from the start.
The instrumentation calls for a full big band with
harp and string section. Included in this publication
is an optional synthesizer part that may be used in
place of the strings. The vocal key is C and there
are no saxophone doubles.
10607200 Jazz Ensemble
& Vocalist
with Strings . . . . . . . . . M 65.00
Night and DayCole Porter/arr. Dave Wolpe.
Night and Day never sounded so good! Here's a
solo vocal feature with jazz ensemble arranged in
the Sinatra style with a tenor sax solo and superb
ensemble writing. It's arranged in two keys for vocal
flexibility... just flip the page for the best key for the
vocalist. Vocal solo ranges: female key (low) key of
C, G below middle C to 3rd space C; male key (high)
of Eb, Bb below middle C to top space Eb, treble
clef. An excellent chart on this timeless standard!
Highly recommended!
10049773 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
n No Moon at Allarr. Scott Ragsdale. While
this arrangement is written to feature a vocalist,
it also has great instrumental appeal. The style
is Latin/mambo groove, the tempo is about 136
bpm, the ensemble accompaniment is creative
and interesting, it's accessible for both band and
vocalist, and there are no instrumental solos.
Optional solo parts for C, B-flat, E-flat Instruments
and Trombone are included as substitute parts for
the vocal solo. A great vocal and big band chart!
Vocal in C Major.
10513928 Jazz Ensemble & Vocalist
or Any Instrument. . . . ME 54.00
On a Clear Day (You Can See Forever)Burton
Lane/arr. Darmon Meader. Jazz vocal quartet, jazz
choir or an individual vocal soloist...any way you
like it, this is a great chart! It's arranged by Darmon
Meader, the musical director and chief arranger for
the New York Voices. This chart is for SATB choir and
jazz ensemble, but also includes a solo vocal part for
performances by a vocal soloist and jazz ensemble.
A swing chart with wonderful jazz harmonies
throughout, it has a written vocal scat solo plus a
written tenor sax solo. The lead trumpet range is to
written B above the staff. If you have the vocalists, it
doesn't get better than this! Highly recommended!
10093219 Jazz Ensem & Vocal Group
or Vocal Solo . . . . . . . MA 62.00
H Orange Colored SkyDelugg & Stein/arr. Roger
Holmes. Here's a great chart to feature your vocal
soloist! All the elements are in place here for a
powerhouse performance...a swingin' up-tempo
style, great ensemble back-ups and an excellent
vocal part! Shine that spotlight on your singer!
Vocal in G.
2481660 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H RespectOtis Redding/arr. Roger Holmes. Your
female vocalist will love this! Soulful to the "max,"
this pop hit recorded by Aretha Franklin will be just
as much fun for the band, as well as for your tenor
soloist. Highly recommended!
2472891 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
4 Route 66Bobby Troup/arr. Mark Taylor.
Composed in 1946 and recorded by countless
artists over the years, here's a jazz standard that
never goes out of style! This medium tempo chart
features a shuffle groove and highlight spots for the
band trading phrases with a solo trumpet. Don't
have a vocalist to feature? No worries, there's an
optional tenor saxophone solo part included. Fun for
the singer and band alike! Vocal key: F
10617890 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
'S WonderfulGeorge Gershwin/arr. Dave
Wolpe. This chart on a timeless Gershwin standard
is an excellent medium-swing vocal feature
chart arranged in two keys, high and low, to
accommodate all vocalists. The low key is A-flat
with vocal range from A-flat below middle C to 3rd
line B-flat, and the high key is E-flat, with vocal
range from E-flat first line to top line F, treble clef.
The lead trumpet range goes to written high C.
Additional features Include a written out tenor sax
solo and an optional substitute tenor sax solo part
in lieu of the vocal solo part.
10355618 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
EDITORS' CHOICE
Jazz Ensemble with Vocal Solo • All Levels
Each year Pepper's Editors review hundreds of new releases
and choose the cream of the crop to bear the name, Editors' Choice.
You can buy any of these titles with confidence!
But Not for Me—George Gershwin/arr. Scott Ragsdale.
Here's a superb vocal solo feature with big-band chart on a great standard. The features
include a vocal range from B-flat below middle C to third space C, a lead trumpet range
to A-flat, and the swing tempo is around 134 bpm. Make sure to check out the written
trombone solo and the fine sax soli during the instrumental interlude. Don't have vocalist
this year? No problem, optional featured solo parts are included for any B-flat or E-flat
instrument or trombone. This great chart for your vocalist is highly recommended!
10593787 Jazz Ensemble & Vocalist or Any Instrument. . . . . . . . . . . . . . . . . . . M 54.00
Do Nothing Till You Hear from Me—Duke Ellington/arr. Victor Lopez.
Here's a wonderful vocal solo feature chart on a timeless Duke Ellington jazz standard! The
feel is easy swing, the tempo is around 96 bpm, the vocal range is A-flat below middle C up to
B-flat third line, and the lead trumpet range is to written F top line. An instrumental interlude
showcases the band before the soloist returns with the great lyrics and swinging melody. If you
don't have a vocalist to feature, there are optional solo parts included for any B-flat or E-flat
instrument or trombone. Superb and swingin,' this one is highly recommended!
10593789 Jazz Ensemble & Vocalist or Any Instrument. . . . . . . . . . . . . . . . . . . M 54.00
Hello—arr. Paul Murtha.
Adele's chart-topping song of the year is skillfully arranged here by Paul Murtha as a power
ballad for jazz ensemble and vocalist. This superb setting can also be used as a feature for an
alto saxophone soloist rather than a vocalist. Beautifully paced, it begins with only a piano
accompaniment then gradually builds in intensity as the full band layers in. This artful and
outstanding solo feature is highly recommended and not to be missed! Vocal key: F minor
10606773 Jazz Ensemble & Vocalist opt. Alto Sax Solo. . . . . . . . . . . . . . . . . . ME 50.00
Lover, Come Back to Me—arr. Mark Taylor.
This familiar Oscar Hammerstein and Sigmund Romberg standard, first popular in the
1920's and 30's, has been revisited over the years in a variety of styles. Here is an attractive
and smooth samba version for vocal or optional tenor saxophone solo that includes a feature
section for the saxes accompanied by the soloist in a "vocalese" style. A marvelous change-
of-pace for any performance! Vocal key: B-flat
10617892 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . M 50.00
Route 66—Bobby Troup/arr. Mark Taylor.
Composed in 1946 and recorded by countless artists over the years, here's a jazz standard
that never goes out of style! This medium tempo chart features a shuffle groove and
highlight spots for the band trading phrases with a solo trumpet. Don't have a vocalist to
feature? No worries, there's an optional tenor saxophone solo part included. Fun for the
singer and band alike! Vocal key: F
10617890 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Who Walks In When I Walk Out?—arr. Rick Stitzel.
Famously recorded by Ella Fitzgerald with Louis Armstrong, here's a medium swinger from
the early days of jazz that makes a perfect showcase for a charismatic vocalist. It also works
well as an optional female and male vocal duet feature. An optional tenor saxophone solo
part is included if you don't have a vocalist. Everyone will have fun with this nostalgic romp
that will be a real treat for audiences! Vocal Key: D minor
10556776 Jazz Ensemble & Vocalist opt. Female & Male Duet . . . . . . . . . . . . . M 50.00
