J.W. Pepper Catalogs

2016 Fall Jazz

J.W. Pepper Music Catalog

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59 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] jazz ensemble l Bebop Scales (Jazz Scales & Patterns in All 12 Keys)—Joe Riposo. Phrase like a pro! By simply adding one chromatic note, you can convert the most commonly used scales into bebop scales. Bebop scales almost magically turn scales into jazz lines, adding melodic flow and logical forward motion to your solos. This makes hitting those target notes much easier and facilitates the seamless connection of one chord to another. The one added note makes all the difference! 10561399 Treble Clef Book . . . . . . . . . . . . . 7.95 10561400 Bass Clef Book. . . . . . . . . . . . . . . 8.95 H Berklee Music Theory - Book 1 (2nd Edition)—Paul Schmeling. This essential method features rigorous, hands-on, "ears-on" practice exercises that help you explore the inner workings of music, presenting notes, scales, and rhythms as they are heard in pop, jazz, and blues. You will learn and build upon the basic concepts of music theory with written exercises, listening examples, and ear training exercises. The included CD will help reinforce lessons as you begin to build a solid musical foundation. Now available with an answer key. 10281308 Book with Online Audio Access . 24.99 H Berklee Music Theory - Book 2 (2nd Edition)—Paul Schmeling. This volume focuses on harmony, including triads, seventh chords, inversions, and voice leading for jazz, blues and popular music styles. You'll develop the tools needed to write melodies and create effective harmonic accompaniments from a lead sheet. This revised edition includes an answer key for all exercises and lessons to check your progress. 10284883 Book/CD. . . . . . . . . . . . . . . . . . . 22.99 l Building Solo Lines from Cells (for All Instruments)—Randy Vincent. Building Solo Lines from Cells is a practical method for developing the ability to create convincing jazz solos in a wide variety of playing situations. It takes actual jazz lines recorded by master players and slices them into "cells" that can be re-combined into longer lines to fit almost any harmonic situation. This enables players to improvise lines that sound just as interesting and melodic as the masters without simply resorting to copying others. Some of the harmonic situations covered include: fast-moving cycles such as the bridge of Jordu; chromatic II-V changes; turnarounds, including many that are useful in dealing with rhythm changes; Jimmy Heath's C.T.A changes and John Coltrane's Giant Steps changes. In addition, slower moving II-Vs are covered using various strategies for stringing together the short cells into long flowing lines, and much, much more! 10567896 Flexible Instrumentation Method . .25.00 l Improvisation 101: Major, Minor and Blues (A Step By Step Approach for Developing Improvisers)—Greg Yasinitsky. Improvisation 101 is a step-by-step approach to improvisation in jazz, rock and pop music. Based on easy music which can be practiced together with a band on the play-along CD, each chapter comes with brief explanations as to which notes sound best when improvising and why. Solos by experienced jazz musicians serve as examples for the player's own attempts at improvisation. The textbook can also be used by a band at schools or music schools for pupils with at least two years of instrumental lessons. 10617695 C Instruments Book/CD . . . . . . . 19.95 10617697 Bb Instruments Book/CD . . . . . . 19.99 10617696 Eb Instruments Book/CD . . . . . . 19.95 10617698 Instruments in Bass Clef Book/CD. . . . . . . . . . . . . . . . . . . 19.95 10617699 Piano Book/CD . . . . . . . . . . . . . 19.99 10617700 Guitar Book/CD . . . . . . . . . . . . . 19.99 Jazz Play-Along Volume 177-The II-V-I Progression—Larry Dunlap. In this special instructional edition, the II-V-I progression is covered in detail, from chords and scales to major and minor progressions to melodic and harmonic patterns and variations. There are plenty of play-along tracks based on this ubiquitous progression, so students can immediately apply the concepts learned in a musical context. This book and 2 CD package introduces the II-V-I progression, chords and scales, outlining chords over II-V-I, playing scales over II-V-I, simple patterns for II-V-I, condensed progression and other time signatures, improvisation, practice tunes, and more! 10462451 Flexible Instrumentation Book/2 CDs . . . . . . . . . . . . . . . . 19.99 l Jazz Session Trainer (The Woodshedder's Practice Kit)—Larry Dunlap. Jazz Session Trainer is the ideal resource for those players wanting to hone their improvising skills, improve their chops, and feel at home in a jazz session. In addition to a generous dose of scales, exercises, and licks, the book includes a chapter on jam session etiquette, a practice planner, and chord charts, plus accompanying online audio through the publisher's website for 50 frequently played tunes. 10541888 C Instruments Book with Online Audio Access . . . . . 24.99 10547467 Bb Instruments Book with Online Audio Access . . . . . 24.99 10550062 Eb Instruments Book with Online Audio Access . . . . . 24.99 H Jazz Theory Book—Mark Levine. Over 500 pages of text and over 750 musical examples. Written in the language of the working jazz musician, this book is easy to read and user-friendly. At the same time, it is the most comprehensive study of jazz harmony and theory ever published. The Jazz Theory Book takes the student from the most basic techniques such as chord construction and the II-V-I progression through scale theory, the blues, I've Got Rhythm changes, slash chords, the bebop and pentatonic scales, how to read a lead sheet and memorize tunes and a study of reharmonization that is almost a book in itself. Satisfaction guaranteed or money will be refunded. Mark Levine has worked with Bobby Hutcherson, Cal Tjader, Joe Henderson, Woody Shaw, and many other jazz greats. 5455076 Paperback Book. . . . . . . . . . . . . 42.00 JazzDeck (Textbook in a Box)— Brian Switzer. For teachers, students and performers, JazzDeck is comprised of 54 high- grade playing cards color-coded by chord type to systematically illustrate the ways to excel as a jazz soloist. Each card presents players with the basic notes necessary to sound good over a given chord, followed by those they need to know to sound great. With its elegant presentation and multidimensional platform, JazzDeck is especially suited to players at any level who might find traditional music notation and theory intimidating. JazzDeck transposes for each instrument, allowing teachers to lead groups through chord changes without having to respell chords in each key. The fastest way to sound great playing jazz! See a video overview on jwpepper.com. 10490922 Flexible Instrumentation Jazz Study . . . . . . . . . . . . . . . . . 19.95 l Magic Motives (A Method for Developing Jazz Vocabulary)—Dan Haerle. Motives, also referred to as motifs, licks, or clichés, are the building blocks of a good jazz vocabulary. This book shows how motives may be developed using simple five-note major, minor, and diminished scales and how to apply chromatic embellishment to those scales. The "magic" appears when you discover that any motives created from these scales may be superimposed over a variety of chords with equally good results. Also included are detailed explanations and pages of motives in a variety of harmonic situations, including standard chord changes. The accompanying CD includes practice tracks with play-along parts in the book transposed for all instruments. Expand your creative universe with Magic Motives! 10629696 Flexible Instrumentation Book/CD. . . . . . . . . . . . . . . . . . . 19.95 Patterns for Improvisation—Oliver Nelson. Now available in a bass clef edition! Many jazz greats have fond memories of practicing from this great resource. It features an exhaustive collection of improvisational jazz patterns in various meters and feels. Comments and suggestions are included by the author, a legendary composer, arranger, conductor and instrumentalist. This is a very popular book because it helps spell out some of the basic building blocks of the jazz language. It's regarded by many jazz teachers as one of the essentials for their students, and is one of the world's most popular patterns books! 8603724 Treble Clef Jazz Study . . . . . . . . . 9.95 10590273 Bass Clef Jazz Study . . . . . . . . . 12.95 H Patterns for Jazz—Jerry Coker. Patterns for Jazz stands as a monument among jazz educational materials. Condensed charts and pertinent explanations are conveniently inserted throughout the book to give greater clarity to the application of more than 400 patterns built on chords and scales from simple (major) to complex (lydian augmented scales). 922153 Paperback Book Treble Clef . . . 25.99 2057180 Paperback Book Bass Clef . . . . 26.95 l A Practical Approach to Jazz Improvisation (The David Hazeltine Method)— Ben Markley. Jazz improvisation students can now learn how to create their own etudes in the style of their favorite musicians! Doing so reveals the artist's favorite phrases and stylistic tendencies, allowing students to better understand and absorb the artist's approach and concept. Well-known pianist David Hazeltine used this method to develop his own style and refined it over the years to better help his students. Now, it is available in a book form for all who want to master the art of better phrasing and imporvising. This is not just a piano book, it's a single line approach designed for all instrumentalists, including piano. 10523605 Flexible Instrumentation Method . . . . . . . . . . . . . . . . . . . . 12.95 l Rhythm First! (A Beginner's Guide to Jazz Improvisation)—Tom Kamp. In a step-by-step fashion, Rhythm First! builds up the student's library of rhythmic figures and has them playing along with the accompanying CD to get the sound and feel of jazz soloing under their fingers. Melodically, the book starts with playing simple rhythmic figures on any note, then on the tonic of the F blues scale, followed by the tonic and one other note. Over the course of the book, it progresses to show how and when to use three kinds of blues scales. This method is more fun and therefore more successful in getting students starting to improvise than many other approaches. A must for any school jazz program! 10567894 C Version Book/CD . . . . . . . . . . 18.00 JAZZ IMPROVISATION RESOURCES Practice, study, learn and play! See more improvisation resources at jwpepper.com. Go to cart

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